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On The Fringes Of Success

There was a time when the only real gain you could achieve by being included in the New York Fringe Festival was the satisfaction of a job well done, and hopefully, a few tepid reviews. But ever since Urinetown leaped from the Fringe to Broadway back in 1999, the festival has become a whole new ball game, with any number of people keeping score.

The New Great American Symphony?

It’s John Adams’ “Naive and Sentimental Music” (note it doesn’t say “symphony” in the title). “This three-movement, 45-minute ’emphatically tonal’ piece can’t escape its own nature though, though. ‘It sounds like a symphony and it behaves like one, so it probably is,’ admits Adams. Nor can its modest author escape the accolades that have followed his work.”

Toscanini’s Comeback

Arturo Toscanini was already in his eighties when NBC began a seven-year series of live telecasts of the maestro and his NBC Symphony Orchestra. “This was the first major attempt to bring symphonic music to television; the Leonard Bernstein ‘Young People’s Concerts’ began in the late ’50s. Now virtually all of Toscanini’s television work has been reissued on five DVDs by the enterprising Testament label, and it provides a terrific answer to that perpetual question: ‘What is it that a conductor does, exactly?'”

Flying Solo (And Blind)

Why do the parts for classical musicians contain only the individual’s part and not those for other instruments? “Imagine being an actor and being given a copy of a script that only contained your lines. Being an effective ensemble requires a fundamental understanding of what everyone else is doing in addition to what you’re doing. In fact, in that sense, ensembles in theatre, dance, and music are art’s most poignant metaphor for how individuals coexist in a society.”