Blog

Will Netflix’s New Rom-Com Change The World For Its Stars And Other Asian American Actors?

That wasn’t 100 percent the plan when comedian Ali Wong and actor Randall Park wrote and starred in Always Be My Maybe, but … well. “As writers and producers they give an unprecedented array of Asian American experiences space to exist in … a film that portrays the rich diversity and texture of Bay Area life within the bounds of a modern-day rom-com.” – Los Angeles Times

The Existential Fear Of Losing Your Online Self

The return of the paper diary may be at hand. “Contrary to what I’d like to believe, media that lives ‘on the internet’ is not actually floating above our heads in a cloud, like Mike Teavee in WonkaVision. It exists on real, physical servers that are owned by these tech companies. And, sometimes … things go wrong.” – LitHub

We’re All Stuck In ‘Corporate Stockholm Syndrome’ With Disney’s Endless Round Of Movies

Let’s look a little more deeply into Avengers: Endgame. (Yes, it’s been covered, but this is different.) “It’s a reality-bending cultural phenomenon that proudly wallows in its own mind-numbing hugeness. It’s the biggest possible participatory advertisement for two of the most powerful brands in the entertainment industry. It’s an irresistible pop-culture overload, produced and marketed by people with an almost preternatural understanding of what we find enjoyable.” – Los Angeles Review of Books

That Proposed Harvey Weinstein Settlement Is Unlikely To Last

No, a $44 million settlement is not going to satisfy everyone – or, more likely, anyone at all. “Attorneys for two of the alleged victims rejected the proposal outright; while another questioned whether this was an attempt to derail the deal and maximize their clients’ position and grab the lion’s share of compensation. Victims expressed disgust at the entire process; one called it ‘absolutely re-traumatizing.'” – Los Angeles Times

It was the first all-African American opera. And now, ‘Treemonisha’ is getting new life

“Despite not being staged while [composer Scott] Joplin was still alive, Treemonisha has had a lasting legacy. It was first performed in its entirety in the 1970s, and in 1977 Joplin posthumously won the Pulitzer Prize for music. It’s been staged again since then, but now, it’s being rewritten and expanded with an entirely new team at the helm. [The Toronto company] Volcano and … a multitude of [creators and] performers are reviving the opera for its premiere in 2020. The entire creative team — and the orchestra, once the opera goes public — is composed of Black women.” – CBC