Google wants to digitize the world’s books. Publishers are balking. “The problem is that to compile the index Google uses for its search engine, it has to scan the entire book. Publishers claim this infringes copyright and want Google to ask permission for each book. The trouble is that only 20% or so of books are in print and because many titles are “orphaned” when publishers go out of business, finding out who to ask for permission could take years.”
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See The Trailer, Buy The Book
Movie trailers are effective at building hype for movies. So why not for books? “HarperCollins has produced close to a dozen trailers since early February. The motivation is ‘to drive early word of mouth’. To that end, the publisher submits the videos to book bloggers, as well as sites like Google Video and YouTube.com.”
Portland Opera Finishes In The Red
Portland Opera has finished its season with a $1 million deficit, after nine years of balanced budgets. The loss is blamed partly on the fact that the company didn’t have a development officer for much of the season.
Iran, U Of Chicago Fight Court On Ruling
The University of Chicago and the government of Iran are fighting a U.S. court ruling that aims to compensate victims of a 1997 Jerusalem bombing by auctioning off a rare collection of Persian tablets.
Next-Gen Pops?
Los Angeles and Boston Pops programmers are giving alternative-rock acts with cult followings a chance to collaborate in arranging, adapting, and performing their material with orchestras. “Symphony orchestras want to attract younger fans, and many of their musicians are young enough to have been contemporary rock fans. So it’s not the alienating idea that it once might have been.”
Separate and Unequal
The Pittsburgh theatre community has lately been focusing on how to increase and promote racial diversity within the local scene. Ideas are wide-ranging, but most in the city agree that just producing more “black theatre” isn’t enough. Indeed, the larger issue may be not just how to involve more African-Americans in theatre, but how to encourage the creation of shows with truly integrated casts.
Flattery Will Get You Everywhere
The Philadelphia Museum of Art has acquired a series of nine studies by Andrew Wyeth. The studies are a gift from Wyeth’s family, who were impressed enough by a private tour of the museum’s Wyeth retrospective to offer up the additional works, which show “how Wyeth’s thinking evolved before he arrived at the final eerie image of a place setting absent a diner” in his painting, Groundhog Day, which is part of the museum’s permanent collection.
Homogenizing The Cable Universe
There was a time when the 500-channel universe promised a niche for everyone, a channel to suit every taste. And for a while, that’s what we had. But lately, it seems that nearly every cable channel is sliding towards the same middlebrow pit – a show that airs on TLC could just as easily air on Discovery, Bravo, or even the once-highbrow A&E. But dumping the niche also seems to mean drawing a bigger audience, so truly distinctive channels may be a thing of the past.
It’s The Creativity, Stupid
Everyone hates ads, of course, but most of us would confess to occasionally taking pleasure in a particularly entertaining specimen or two. Still, if there’s one sector of the advertising world that has always seemed immune to the entertainment factor, it’s political ads. So when an advertising exec emerges who specializes in creating ads that people actually like to watch (and that are powerful enough to get a professional wrestler elected governor,) it’s quite a story…
Museum Acquires Van Gogh Correspondence
“The Van Gogh Museum said it bought 55 letters written by Vincent van Gogh that give important information about the 19th Century painter’s worldview and development of his artistic thought. The letters were written by van Gogh to fellow artist Anthon van Rappard from 1881 to 1885, when van Gogh was undergoing major transformations in his conception of art and his skill as an artist. Officials from the Amsterdam museum did not say how much the museum paid for the letters, but… a manuscript expert at Sotheby’s auction house put their value in the millions.”
