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Thirty Years Ago, The Corcoran Canceled A Mapplethorpe Exhibit, Setting Off Washington’s First Big Battle In The Culture Wars. Now The Corcoran Has A Show About That Cancellation

Few of the people involved in the controversy at the time imagined that the culture wars would still be raging three decades later. Kriston Capps reconsiders that battle and the way museums have addressed the wider issues, then and now. – The Washington Post

JFK’s TWA Terminal Is One Of The Great Buildings Of The 20th Century. Here’s What It’s Like Now As A Hotel

Saarinen’s TWA terminal, like the great cathedrals of Europe, the giant domes of the Renaissance and the miraculous infrastructure of the 20th century, asserts a truth far deeper than its original purpose: If man can build miraculous buildings, he can remake the world itself into something more equal, more fair, and more decent.  – Washington Post

‘Little Fresh Meat’ — A New, Androgynous Style Of Masculinity Arises In China’s Pop Culture

“[The phrase is] a nickname, coined by fans, for young, delicate-featured, makeup-clad male entertainers.” (The Chinese Communist authorities, it seems, prefers to call them niangpao — “sissypants.”) “These well-groomed celebrities star in blockbuster movies, and advertise for cosmetic brands and top music charts. Their rise has been one of the biggest cultural trends of the past decade.” – The New York Times

Big Mood Machine: How Spotify Gathers And Sells Its Customers’ Emotional Profiles

“Spotify is currently running a campaign centered on moods [and its mood playlists] — the company’s Twitter tagline is currently ‘Music for every mood’ — complete with its own influencer campaign. But a more careful look into Spotify’s history shows that the decision to define audiences by their moods was part of a strategic push to grow Spotify’s advertising business in the years leading up to its IPO — and today, Spotify’s enormous access to mood-based data is a pillar of its value to brands and advertisers.” – The Baffler