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Method Acting And #MeToo: A Brief History

“At least three of the fathers of the American Method — Lee Strasberg, Sanford Meisner, and Elia Kazan — had reputations for treating men and women differently, as well as for treating both women actors and women characters as sex objects.” Holly L. Derr examines what these men did, how they justified it, and how the aftereffects linger on. – HowlRound

Allegations Of Sexual Abuse Of Operatic Proportions

“Whether a visiting music director joining one production at a time, or in his regular capacity as Resident Conductor at several opera companies, he brings musically impeccable credentials, a flair with the baton, and a reputation for finding and cultivating exciting young talent. Countless reviews testify to his well-acknowledged musical talents. Behind the scenes, however, lies a much darker story.” – Twin Cities Arts Reader

How “The United Nations Of Graffiti” Flipped The Switch On A Counterculture Art Form

In the early days, by creed, a graffiti artist would ask neither for permission nor compensation. Now, after courting the former, artists at 5Pointz were receiving the latter. Graffiti was once a countercultural threat that conservative forces roundly maligned as a racially coded stand-in for urban delinquency. Now, graffiti had not only helped catalyze gentrification of one of the city’s fastest growing neighborhoods, but was also being handsomely rewarded for it, with legal recognition by a judge and jury. – The New Republic