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Should The Roosevelt Statue In Front Of The American Museum Of Natural History Come Down? The Museum Asks Visitors

“Addressing the Statue,” with an accompanying video and website, examines various aspects of the monument and the president it memorializes. It explores the history of the statue’s design and installation, who the men at the bottom of the statue may represent and Roosevelt’s own racism. The museum examines its own complicity at points, too, with references in the video to its exhibitions on eugenics in the early 20th century. – The New York Times

25 Works Of Art That Define The Current Age? (A Discussion)

Naturally, when re-evaluating the canon of the last five decades, there were notable omissions. The group failed to name many artists who most certainly had an impact on how we view art today: Bigger names of recent Museum of Modern Art retrospectives, internationally acclaimed artists and high earners on the secondary market were largely excluded. Few paintings were singled out; land art was almost entirely absent, as were, to name just a few more categories, works on paper, sculpture, photography, fiber arts and outsider art. – The New York Times

Spotify Slammed For Its “Dance Like Nobody’s Paying” Ad Campaign

The campaign comes after longstanding complaints about the company’s royalty payments, not to mention its attempts to appeal the Copyright Royalty Board’s decision to increase songwriter rates by 44% over the next five years and its recent determination that it had overpaid music publishers by an undisclosed amount in 2018 and is requesting a refund. Predictably, songwriters and music industry pros aren’t happy about the new campaign, which seems to add insult to injury after the above incidents. – Variety

The Break Out Break-dancing Millennial Counter-Tenor

The singers who performed in operatic works by Handel or Vivaldi in the eighteenth century were the musical celebrities of their day, and Jakub Józef Orliński’s approach is to gleefully inhabit that space of stardom, rather than to handle the repertoire as if he were a reverent museum curator. “I treat Baroque music as, basically, pop music, but in their time.” – The New Yorker