Blog

A Robot Choreographer Explains Why Her Job Is Necessary

Catie Cuan, currently working on a mechanical engineering Ph.D. at Stanford: “There are a number of studies that demonstrate that how something moves is even more important [to a user] than how it looks. … I have a set of tools and ethics and practices and skills that I bring to the table, which is ingrained through years of dance training. I can bring those to the application of design, interaction and control mechanisms for robots.” – Dance Magazine

A Radical Rethink Of San Francisco State University’s Music Program

With the clarion call of the Black Lives Matter movement ringing in the background, Modirzadeh described the SFSU music program as fettered by “a deep intergenerational upholding of that archaic ‘separate but equal’ logic that miseducates, leaving our students perpetually revolving around a musical caste system stuck thick in ethnic myopia.” – San Francisco Classical Voice

Ben Brantley Predicts That, Before Long, Theater Critics As We Know Them Won’t Exist

“I think the notion of criticism may expand, and people will write more culturally comprehensive mixed-discipline pieces. But it’s hard for me to imagine. It will be interesting to see how much people are actually willing to read in the future online, and whether most communication will be single lines, single impressions, condensations.” – The Stage

Jan Myrdal, Radical Writer Son Of Legendary Parents, Dead At 93

He devoted much of his life, and his writing, to rebellion against his parents, Gunnar and Alva Myrdal, each of whom won a Nobel Prize. But the body of his work was reportage and advocacy on Communism and those who lived under it; neither Scandinavian social democracy nor the Soviet system was leftist enough for him. He wrote the first Western eyewitness account of the lives of ordinary villagers under Mao, but his later years found him defending the Tiananmen Square massacre, the Khmer Rouge, and Holocaust denial. – The Washington Post

D.C. Begins Pilot Program To Restart Live Theatre

While almost all performance venues in the District remain closed, the first company there to produce a play under new local COVID-safety protocols is GALA Hispanic Theatre, with a staging of Spanish Golden Age playwright Lope de Vega’s El perro del hortelano (“The Gardener’s Dog”, usually known in English as “The Dog in the Manger’). Thomas Floyd reports on how it’s working. – The Washington Post