Last Year’s Pulitzer Prize-Winning Author Gives Us A Reading List

Viet Thanh Nguyen, who won for “The Sympathizer,” says that “Sometimes people have said that I give voice to the voiceless Vietnamese. If you know anything about Vietnamese people, you know they are not voiceless. They are quite loud, whether it is in Vietnamese or English. Here is a reading list of some of the most important writing by Vietnamese and Vietnamese Americans, just to prove that we have not been voiceless. Most of the time we are just not heard.”

Two More Dancers Leave Pennsylvania Ballet

Hired to run the ballet school after the previous staff member quit over the firings of a huge number of dancers, a married couple quits. “The couple, graduates of Russia’s Bolshoi Ballet Academy, had danced in Russia and the United States before opening a dance school, the Academy of International Ballet, in Media. Their son, Aleksey Babayev, is a Pennsylvania Ballet corps de ballet dancer.”

Playwright Robert Schenkkan, Furious At Trump, Spits Out A Response Play In One Week

Five theaters across the country have already agreed to produce “Building the Wall,” starting next month. “We no longer live in a world that is business as usual — Trump has made that very clear — and if theater is going to remain relevant, we must become faster to respond. … We cannot hope to be useful if we can’t respond until 18 months after the fact.”

A Bold, Beautiful Victory For Ballet At The British National Dance Awards

Chase Johnsey, of the all-male Les Ballets Trockadero de Monte Carlo (the Trocks), “faced off competition from the likes of Vadim Muntagirov and Alexander Campbell, both principal dancers at the Royal. Johnsey’s win is not only a celebration of his talent, but also a celebration of the fact that ballet, however rigorous its traditions, has an inalienable genius for the wayward, the comic and the camp.”

Walter Hautzig, Pianist Whose Talent Saved His Life In Nazi-Occupied Austria, Has Died At 95

After the German occupation of Austria, Hautzig knew he needed to get out. “Responding to an advertisement in a Jewish newspaper, he arrived at a Vienna hotel at 8 a.m. to audition for Emil Hauser, director of the Jerusalem Conservatory and a founder of the Budapest String Quartet. Mr. Hauser was not just offering fellowships; he was also offering exit visas.”