Richmond Ballet Is Onstage, But How?

Very, very carefully. After the city went to phase three, the dancers and administration met over Zoom to figure out a return. “The new criteria for the one-hour show, now without an intermission: only married couples or roommates performing pas de deux, choreographic selections that lean heavily on solos and trios, and masks mandated for everyone in the building.” – Pointe Magazine

Australia Council Flips Out, Pulls Funding From Artist

It’s remarkably reminiscent of the NEA Four, for those who lived through that terrible time: A queer artist wants to use their body for their work; gets approval and funding; word is leaked to conservative outlets; said outlets absolutely flip out and condemn the council; council removes funding. All too gross and familiar. “The decision to kill the contract raises worrying questions about the potential government overreach and the possibility of censorship in Australian cultural policy at a time when the financial crisis in the sector is already threatening to shut out marginalised voices for good.” – The Guardian (UK)

The Lebanese Stained Glass Artist Who’s Trying To Rebuild After The Massive Beirut Explosion

Maya Husseini had celebrated her birthday and was feeling pretty good about her future as a retired artist when the explosion at a port in Beirut ripped the city, and her work, to shreds. “‘Thirty years of my professional life were gone,’ she said in an interview after the blast in her workshop near Beirut. ‘Dust!'” – The New York Times

Doing Live Opera In Vienna During The Pandemic

To be in live opera right now, soprano Lisette Oropesa gets constant COVID nasal swabs, writes down everyone she’s spent more than 15 minutes with, and wears a mask in the building except when she’s on stage. “Now we are in close quarters, you just have to trust that you’re negative and everyone else around you is negative, and at the time it’s okay to touch and sing close to each other. But it’s still a tiny bit never-wracking.” – The Irish Times

Aching For The Return Of Live Theatre

Mary-Louise Parker isn’t unhappy about her Tony nomination. But it’s poking at some of the profession’s pandemic wounds. “I just want to see a ghost light. I want to hear someone call, ‘Places!’ I want to walk through the stage door. There’s just something about theater — even nights when I feel like I’ve only done a decent job, I feel like I’ve given something in a way I don’t on film or TV. It feels like I’ve exerted all my energy.” – The New York Times