From Life In An Orphanage To Star Turns All Over The Country

“It’s a very different life than she could have imagined when she was 4½-year-old Mabinty Bangura, living in an orphanage in violent, impoverished Sierra Leone. Young Mabinty had only one friend and was anything but a favorite with the ‘aunties’ who ran the orphanage, perhaps because she had vitiligo, a pigmentation condition that left white patches on her upper chest. One day, she found a magazine that had blown against the orphanage gate. In it was a picture of a ballerina in pointe shoes. She tore it out and kept it, and dreamed of dancing like that one day.”

Stepping Off The Tourist Path In Paris, Into A Treasure Hidden In Plain Sight

What are you missing when you go to Paris? St.-Étienne-du-Mont, an unassuming medieval/Renaissance church slightly off the beaten path. “Our lone Parisian survivor is in a class unto itself: not just the sole instance in Paris, but one of the few in the world, and a magnificent specimen of carved stone. It impels the eye. Looking at this gigantic wedding cake of a loft, one knows instinctively that one is in Paris.”

Afghanistan Has A Youth Orchestra, And It May Tour The U.S.

“One of the best-known facts about music in Afghanistan, at least in the West, is that it wasn’t. The Taliban banned it when they took power in 1996, beating musicians, burning instruments and destroying cassette tapes in the name of their severe and extreme vision of Islam. But with the Taliban’s fall, musical life revived, if slowly, in the shattered country.”

Bring Back The Double-Decker Grand Piano!

“Roberto Prosseda is a concert pianist of the old school who typically performs in white tie and tails. But for his most recent spate of concerts, he pairs them with slippers–five-fingered rubber-coated slippers that look vaguely amphibian. That’s because Mr. Prosseda plays with his feet as well as his hands. The Italian pianist is on a one-man mission to revive the music of the pedal piano, a monstrous double-decker grand piano that was popular in the late-19th century but has long since fallen out of fashion.”

Let’s End The Parade Of Sameness – And Save Classical Music

“Recordings change the performing environment. Once anyone can hear the best performers, and once those performers are conscious that they’re making recordings for the ages — not just live performances to be heard tonight and preserved only in memories — those recordings become the standard that influences all.” How can we retrain young musicians to save their individuality?