An Unusual Year For The Tonys

“The Tony nominations are in, and it would be difficult to come up with a season that presented a clearer portrait of where Broadway is headed and where it has been.” From a hip-hop musical to an acclaimed play penned by a writer new to Broadway, the nominations have a decidedly transitional feel.

Rauschenberg’s Dance Fixation

“Something inherently theatrical about Robert Rauschenberg’s talent — always evident in his radical feeling for color, light, composition and new ingredients and juxtapositions –prompted him to his boldest and freshest conceptions when he worked onstage. From the early 1950s until 2007 he designed for dance. And in the late ’50s and early ’60s, when he first came to fame, he was recurrently (at times constantly) occupied in dance theater.”

Honda Robot Makes Podium Debut

“Asimo, Honda’s humanoid robot, made its conducting debut Tuesday at Orchestra Hall, leading the Detroit Symphony Orchestra in “The Impossible Dream” of Broadway fame… An engineer cued Asimo wirelessly.” Incoming DSO music director Leonard Slatkin showed up for the event, and joked to Asimo, “I’ll believe it when you conduct Mahler 7.”

Is The Art Market Headed For A Crash?

“All appears well in the art world, with the millionaire buyers seemingly insulated against the current economic uncertainty. The global market doubled in value between 2002 and 2006 to £28bn… Records also fell this week for Munch, Rodin and Léger. But the headline figures are disguising signs that the market has already cracked.”

Britart’s Best?

“Will Rachel Whiteread, unshowy as she is, be the Britartist who stands the test of time? Whiteread was always regarded as the serious-minded one among the Britart pack. While the work of Damien Hirst, the Chapman brothers, Tracey Emin and Sarah Lucas screamed for attention, Whiteread’s tended to whisper – despite its scale. It also caused huge controversy.”