How Will Sendak Be Remembered?

Maurice Sendak has had a rough year, and at 80, seems to be considering what could be called the Norman Rockwell legacy question: “was he a great artist or a mere illustrator? …That Mr. Sendak fears that his work is inadequate, that he is racked with insecurity and anxiety, is no surprise. For more than 50 years that has been the hallmark of his art.”

Brazen Daytime Art Theft In L.A.

“Police detectives have issued an international alert for a dozen paintings by Marc Chagall, Diego Rivera and other masters that were stolen from the suburban [L.A.] home of an elderly couple during a daring daytime break-in. The paintings were worth millions of dollars and include rare works by early 20th century artists Emil Nolde and Kees van Dongen. A $200,000 reward was offered Tuesday for help in recovering the artwork.”

The Trouble With Messaien

Norman Lebrecht acknowledges that everyone else seems to get something out of Messaien’s music that eludes him. “I listen without prejudice to music by misogynists, racialists, one wife-murderer and at least two paedophiles. But with Messiaen, for all his ingenuity, my gorge rises and my tolerance fails.”

It’s A Man’s World

“Perhaps by way of competing for attention during a historic presidential campaign, Broadway is also shining a bright spotlight on the male psyche this autumn. A handful of productions, probably converging by coincidence, will provide a season-long seminar on the subject of the male animal under pressure.”

“Serious” Architecture Still Out There To Be Seen

“Some of us are overfond of complaining about the big money that drives new architecture today. The theoretical designs that once served as a critical commentary on the professional mainstream have all but dried up. Architects who once flaunted their radical credentials now work almost exclusively for giant corporations and nouveau-riche clients. But take heart. There is evidence that serious architecture is still being made, some of it even in New York.”