Russell Simmons vs. The Three Words

Hip-hop pioneer and media mogul Russell Simmons is taking a public stand against the racially charged and misogynist language that permeates much of today’s rap music and hip-hop culture. Simmons is calling for “a voluntary ban on the three words he considers the most unacceptable, and among the most common, describing ‘bitch’, ‘ho’ and ‘nigger’ as ‘extreme curse words’ that were inconsistent with any sense of social responsibility by rap artists or their record companies.”

Robbing Peter To Pay The IOC

Michael Billington says that the UK’s proposed cuts to cultural subsidies in order to meet the high cost of staging the 2012 Olympic Games are stunningly wrongheaded. “The overall effect is dismal. It leaves the impression that the government is ready to rob Peter to pay future Pauls. Also that it doesn’t understand that artists, like athletes, need grassroots encouragement to achieve national standards.”

Bacon’s Trash Worth Nearly £1m

A motley collection of items discarded by the artist Francis Bacon has sold at auction for a whopping £965,490, nearly twice its pre-sale estimate. “Most of the lots could be described as ephemera at best. Among them were various diaries, some entirely blank.” The auctioneer, a small outfit in Surrey, UK, had its biggest night ever, and was nearly overwhelmed by the level of interest.

Zukerman Slammed In Toronto

Conductor/violinist Pinchas Zukerman brought his Ottawa-based National Arts Centre Orchestra to Toronto last weekend, and the reviews were beyond scathing. Zukerman, who has been a controversial figure since taking over the NACO, took fire for his programming choices, conducting style, and solo violin skills, with one critic writing, “It doesn’t get any worse than this.” Interestingly, the same program had gotten positive notices back home in Ottawa.

New Music Pays Big Dividends For Scottish School

The Royal Scottish Academy of Music and Drama’s festival of new music was created only last year, but Michael Tumelty says that its growth from year one to year two has been stunning. “Whereas the bulk of performances last year were small group chamber-type performances, such was the clear success of the venture that the academy has placed its symphony orchestra, chorus, and the RSAMD Big Band at the disposal of the festival… In all, there will be around 35 premieres in the five-day fest, featuring the work of about 24 composers.”