Knowing When To Bow Out

For aging musicians, the decision to retire, if it ever comes, usually comes as a result of the ravages of age. “The performer, unlike the creator, is as much athlete as artist, and thus is slave to the flesh.” But when an artist doesn’t know enough to exit the spotlight, it makes for an uncomfortable situation for audience, critic, and performer alike.

Hey! That Guy’s Writing! Get Him!!

When Tonight Show host Jay Leno returned to work this week without his striking writers, there was an assumption on the part of the union that WGA member Leno would not do any writing of his own for the show until the strike was resolved. Instead, Leno has been performing full-length monologues, and the guild is not pleased.

Riedel’s Crystal Ball

New York theatre pundit Michael Riedel sees more labor strife and a revamped Tony awards broadcast in the air in 2008. “Ancient rules governing which shows can and cannot appear on the Tonys will be jettisoned, and popular hits [from past years] will get as much stage time as this year’s crop of nominees.”

Bad News From Saskatchewan

“The Saskatoon Symphony Orchestra is in debt to the tune of about $300,000, a musicians union official said Thursday… The deficit is equal to about 25 per cent of the symphony’s operating budget, although it’s not clear how the organization got so far into debt.”

Century-Old Music School Gets Shiny New Home

The latest entrant in Minneapolis’s cultural architecture boom is the new riverfront headquarters of the MacPhail Center for Music. “Its $25 million new home… is a steel-clad, state-of-the-art facility that’s wired for recording throughout, with an elegant 225-seat wood-paneled concert hall [and] 56 practice rooms specially tuned for the acoustic needs of instruments ranging from piccolos to snare drums.”

Orchestrating Change For Parisian Youth

“In the heartland of French rap music, Zahia Ziouani is striking a chord with struggling youths in a Parisian suburb who flock to her music school and are joining her symphony orchestra.” The ensemble draws on the poverty-stricken Paris suburbs, known mainly for producing a generation of angry, disaffected rap stars.