Maazel: Philharmonic Can Lead Gentle Change

Conductor Lorin Maazel has penned an op-ed explaining why he believes it is important for his New York Philharmonic to play in Pyongyang next week. “It is a role of the highest possible order: bringing peoples and their cultures together on common ground, where the roots of peaceful interchange can imperceptibly but irrevocably take hold. If all goes well, the presence of the New York Philharmonic in Pyongyang might gently influence the perception of our country there.”

Is Culture Turning Liverpool Around?

Liverpool is undergoing a noticeable renaissance, and some are attributing it to the city’s year as Europe’s Culture Capital. But would the turnaround have happened anyway? “You get much affirmative, but generalised, confirmation that while these projects were in train before the Capital of Culture bid was won – the accelerated and coordinated nature of the projects has much to do with this year.”

The Strange Musical Magic Of Carl Nielsen

“Given the blazing individuality of Nielsen’s voice, it’s puzzling that he has yet to find a firm place in the international repertory… Orchestral players, percussionists excepted, tend to groan a little when Nielsen shows up on their music stands, [and] audiences, for their part, often go away from Nielsen performances pleased but a little dazed, not sure what hit them. Lately, though, Nielsen has been gaining ground.”

More Dickens Than You Can Shake An Orphan At

“While 6½ hours of theatre may seem a bit of a marathon, consider that there are 27 actors playing more than 100 speaking parts, and a boy’s journey to manhood, to get through. Consider, also, that the version of Nicholas Nickleby landing at Toronto’s Princess of Wales Theatre on Saturday is two hours shorter than the landmark stage version that opened in London in 1980.”