Roy Dotrice, Star Of Screen, Stage, And ‘Game Of Thrones’ Audiobooks, Dead At 94

His six-decade career included plenty of television and film work (he played Mozart’s father in Amadeus) as well as an astounding number of stage appearances. He was an early member of Peter Hall’s Royal Shakespeare Company, won a Tony as the scheming father in A Moon for the Misbegotten, gave nearly 1,800 performances as 17th-century writer John Aubrey in the one-man show Brief Lives and hundreds more as the president in Mister Lincoln. He holds the world record for the number of different characters voiced in audiobooks – 224, in George R. R. Martin’s Song of Fire and Iceseries, the source for Game of Thrones.

Another Brazilian Arts Institution Attacked By Right-Wingers For ‘Pedophilia’

Last month, the country’s first major show of queer art was shut down in Pôrto Alegre after conservative groups began protesting, claiming that the art endorsed blasphemy and pedophilia. A couple weeks later, the same groups loudly objected to dancer Wagner Schwartz’s La Bête – in which he lies on the floor naked and invites audience members to manipulate his body – after a woman brought her five-year-old daughter to participate and video of the incident went viral.

Top Posts From AJBlogs 10.16.17

The Voracious Collector
That headline could apply to dozens of people, especially nowadays in this age of competitive, ostentatious collecting of contemporary and modern art. But I was referring to J. P. Morgan, who in his lifetime purchased … read more
>AJBlog: Real Clear Arts Published 2017-10-16

Salvaging “Salvator Mundi”: Inside Look at “Extensive Restoration” of Leonardo at Christie’s
“Without question,” Christie’s confidently declared last week, Leonardo da Vinci’s Salvator Mundi (being auctioned on Nov. 15 in New York) is “the greatest artistic rediscovery of the 21st century.” Really? With 83 years still remaining in this century, we’re entitled to pose a few questions. … read more
AJBlog: CultureGrrl Published 2017-10-16

Richard Wilbur, American Poet, 1921-2017
Just a quick post to note the death of the great poet and translator Richard Wilbur. Until two days ago, when he passed away at 96, I would have called him America’s finest living poet. … read more
AJBlog: CultureCrash Published 2017-10-16

 

Meet Pro Wrestling’s Hot New Villain, ‘The Progressive Liberal’

Matt Taibbi: “[Daniel] Richards is pitch-perfect. He enters wrestling halls in small towns in states like Virginia, Tennessee and Kentucky to boos and jeers, dressed in a horrific shirt emblazoned all over with Hillary Clinton’s face. The 6-foot-5, 37-year-old then harangues crowds with choice barbs culled from the fairly tepid liberalism that courses through his veins as an ordinary sane person. In Trump country, particularly in coal regions, even kindly telling people you hope they get jobs in clean energy comes across like hardcore aggression.”

‘The High Priest Of Bebop’: Thelonious Monk At 100

“With his goatee, dark sunglasses and exotic hats, Thelonious Monk was the quintessential hepcat. He patted his feet in mad rhythm while he was playing – and when his sidemen soloed, he got up and danced in circles. Monk, who was born 100 years ago today, was also one of the greatest composers of the 20th century. The late pianist wrote about 70 songs during his career – many of which have became standards, including the most recorded jazz composition of all time, ‘Round Midnight’.” (includes video and audio)

Scorsese Is Wrong: Rotten Tomatoes Isn’t Ruining Movies, And Film Criticism Is ‘Better Than Ever’

Richard Brody, responding to the great director’s dyspeptic guest column in The Hollywood Reporter, argues that the Internet has made criticism more democratic and often better-informed, that the aggregated critical scores on Rotten Tomatoes really do help identify good new films, the best of which rival anything from Scorsese’s heyday, and that Scorsese’s unhappiness arises from a major generational shift.

The Women Now Leading British Theatres

Susan Jonas: “The presence of women [in top theatre jobs] is typically inversely proportionate to resources. So it does indeed matter when women are leaders of not one but six of the biggest theatres in Britain and Ireland. I recently interviewed five of these groundbreakers … Each is a unique visionary, but I learned that they do share certain elements beyond gender.”