An ‘Unbearable Act Of Cultural Delinquency’: Young Adult Book Fair In Paris Slammed For Using Too Much English

“The proliferation of English words on display at the book fair, where the ‘scène YA’ was set to feature ‘Le Live’, a ‘Bookroom’, a ‘photobooth’ and a ‘bookquizz’, spurred around 100 French writers into action, among them three winners of the country’s Goncourt prize … [to issue] a scalding rebuke to organisers over their use of that ‘sub-English known as globish’.” — The Guardian

Is it time to resurrect the artistic leader discretionary fund?

After decades of watching the nonprofit professional theater sector play musical chairs with leadership positions, a number of top posts have gone to women, or people of color, or others who, though mid-career in many cases, are taking the helm of an institution for the first time. I am advocating for a genuine discretionary fund that says, “Welcome to your new job! We don’t care how you choose to spend this money, we are backing you.” — Diane Ragsdale

Your Last Supper?

I’d never heard of cicerchie, or grass peas, so I read it was “an ancient pulse” — nice vampiric phrase — and that the recipe for Zuppa di cicerchie (Grass Pea Soup)is similar to those from Umbria and places not too far. I went through the inviting text and cooked the otherwise ordinary recipe in my head, but when I got to the end-note, I stopped … — Jeff Weinstein

Catching Up to the Past

Buckle your seatbelt and fire up your time machine. You are about to blast yourself back nearly fifty years to a simpler time when America was at war, the country was polarized, a crazed and despised president of the United States was in charge, cops were considered racist pigs, cannabis was omnipresent, and young radicals feared that racism was imminent. — Jan Herman

National Opera House Boss Fired For Allowing Computer Game Tournament In Building

The Kyrgyz National Opera and Ballet Theatre is funded from the always-strapped budget of Kyrgyzstan, a small and mountainous ex-Soviet republic wedged between China, Kazakhstan, and Uzbekistan. So director Bolot Osmonov took the opportunity to make some extra money by renting the premises out for a national tournament of Dota 2, a notably violent online video game. Alas, pearls were clutched in horror and Osmonov lost his job. (And this wasn’t even the first time that sort of thing happened.) — Global Voices

Thinking About Trauma And Triggering Issues In Acting Classes

“[Many theater professors] shake their heads about the aspiring actors who have refused to work on material they find harmful or otherwise objectionable. My colleagues sadly wonder how these students could possibly succeed. How, the argument goes, can we train students to become actors if they wish to insulate themselves from upsetting material? How can we inculcate the emotional resilience necessary for a professional actor if students are so afraid of any negative experiences?” Scott Harman explains why those aren’t the right questions. — HowlRound

Iran’s Leading Filmmaker Turns His Lens Onto The Wider World

Asghar Farhadi has won two Best Foreign Language Feature Oscars in five years: in 2017 for The Salesman and in 2012 for A Separation, which became the most profitable Iranian film in history. He ventured to Spain to make his latest film, Everybody Knows, starring Penélope Cruz and Javier Bardem, but he continues to live and work in Iran, even as his compatriot filmmakers have been silenced by the authorities or have fled into exile. — The New York Times Magazine

Still Life In San Francisco Officially Authenticated As Van Gogh

Still Life with Fruit and Chestnuts, in the collection of the Fine Arts Museums of San Francisco since 1960, has been de- and re-authenticated more than once; it had been labeled as possibly by Van Gogh and had not been consistently on display. Now the Van Gogh Museum in Amsterdam has determined that the painting is genuine Vincent, dating from 1886. — The Art Newspaper

Charles Dutoit Hired For Substitute Gig At National Orchestra Of France, And Controversy Ensues

The Swiss conductor lost his various positions during the winter of 2017-18, after several women came forward to accuse him of sexual harassment and assault. Now the Orchestre national de France has engaged him for this weekend’s concert performance of Berlioz’s Damnation of Faust after scheduled conductor Emmanuel Krivine withdrew on short notice. It’s Dutoit’s highest-profile performance (outside of Russia) since the scandal broke, and there has been pushback on the decision to hire him. — AP