Subtitling Movies Is A Serious, Difficult Craft (And Studios And Filmmakers Need To Remember That)

An outcry over the quality of translation in the subtitles of Roma has received a frustrated response from top professional subtitlers. Yes, they say, subtitling is getting worse — because the industry wants it done on the cheap. “A film-maker wouldn’t outsource their colour correction or audio mix and just think: ‘I’ll leave them to it, I’m sure it’ll be fine.’… Subtitles are the conduit allowing you to communicate your film’s ideas around the globe.'” – The Guardian

Steven Spielberg Doesn’t Hate Netflix. Really!

“Recent reporting about the now-rejected proposal to bar movies produced by and for streaming services from Oscar contention has tended to portray Spielberg as a reactionary arch-enemy of Netflix. But insiders say that just isn’t true — his company actually helps Netflix produce some of its programming — and have taken pains to let the New York Times know it.” – The New York Times

Should We Really Drop Kate Smith’s ‘God Bless America’ From Sporting Events Because Of A Couple Of Racist Songs She Sang 80-Odd Years Ago? Well, Yes

Last week, someone brought forward two now-embarrassing songs about black people that Smith recorded in the 1930s (we’ll spare you the titles), and teams in New York and Philadelphia that had been playing her version of the Irving Berlin anthem at games promptly dropped her. Anne Midgette wondered if this was an overreaction — until she talked to two black opera stars who’ve done a lot of singing at sports events themselves. – The Washington Post

Beyond The Met’s Live In HD: Opera Companies All Over Bring Their Performances To Cinemas And The Web

“Since the Metropolitan Opera began broadcasting live to movie theaters, in 2006, companies from the Bolshoi to the Komische Oper Berlin have seen digital distribution as crucial to positioning themselves internationally. Only a handful of players have the standing and resources to create for cinema, and many organizations in Europe turn to free web streaming, but never before have opera houses had such freedom to produce their own content.” – The New York Times