Farrah Fawcett, 62, Model, Actress, Symbol

Alessandra Stanley: “[H]er last poignant appearances sometimes obscure a smaller, more gratifying story line of a celebrated beauty who worked against type to construct a more dignified second act. Long before Charlize Theron gained weight to make Monster and Nicole Kidman put on a fake nose to play Virginia Woolf, Ms. Fawcett scrubbed off her tawny good looks to play battered – and battering – women in The Burning Bed and Extremities.”

Farrah’s Power Over A Generation Of Pubescent Boys

“No matter what anyone might try and claim today, Charlie’s Angels was an abysmal way to kill an hour. … The show, though, wasn’t the point. (At least that, I suspect, today’s youth would understand.) Watching Charlie’s Angels, having the FFM poster on your wall, clipping magazine pictures of the Angels in their bikinis and hanging them on the inside of your locker – these were more like badges, a way of participating in pop culture with as much sexual knowing as you could muster.”

Scotland’s Stimulus Package For The Arts

“The Scottish government has announced details of a £5 million package of funds aimed at helping the arts and cultural sector through the current economic downturn.” The package includes a new £1.5m Digital Media Fund, a “new £1m Odd Fellows scheme … to support collaborations of artists from across different sectors,” and support for “entrepreneurs” and “rural innovation.”

Dubai’s ‘Cut-And-Paste Urbanism’

Christopher Hawthorne: “Like many first-time visitors, I expected to find in Dubai a messy, vital hybrid of architectural and urban strategies, reflecting the city’s history as a regional crossroads and trading center. I could hardly have been more wrong. …
It is, instead, carved into a series of separate, perfectly ordered miniature cities, each performing a remarkably persuasive imitation of the place that inspired it.”