Author: Matthew Westphal

Tolkien Estate Throws Large Monkey Wrench Into Amazon’s ‘Lord Of The Rings’ Series: Report

“Tolkien scholar Tom Shippey, who is supervising the show’s development, told German fansite Deutsche Tolkien that the estate has refused to allow the series to be set during any period other than the Second Age of Middle-earth. This means Amazon’s adaptation will not cross over at all with events from the Third Age, which were dramatised in Peter Jackson’s Oscar-winning trilogy and sees hobbit Frodo Baggins destroy the One Ring.” – The Guardian

As Plantation Museums Turn Their Focus To Enslaved People, Certain Tourists Are Not Happy

“‘It was just not what we expected.’ ‘I was depressed by the time I left.’ ‘… the tour was more of a scolding of the old South.’ ‘The brief mentions of the former owners were defamatory.’ ‘Would not recommend.’ These are a few of the apparently negative reviews posted online about guided tours of Southern plantations.” – The Washington Post

The Rise Of The ‘Catalyst-Conductor’

Lidiya Yankovskaya (a fine example of the phenomenon herself): “In addition to their traditional duties within established institutions, an increasing number of conductors run independent organizations, launch musical and civic initiatives, serve as catalysts for the development of new work, and use their positions to cross disciplinary boundaries. In bypassing institutional gatekeepers, these conductors have brought relevance, vitality, and an expanding number of previously unrepresented voices into the field. Indeed, the dynamic new ‘catalyst-conductor’ could help bring the revitalization that the classical music industry so desperately seeks.” – NewMusicBox

Is Classical Music Journalism Leaving Reviews Behind?

“More and more, critics are going beyond reviews that focus on musicality and technique to report on problems concerning diversity, politics, and workplace culture. Independent publications such as I Care If You Listen, NewMusicBox, and National Sawdust’s The Log reflect a more diverse creative landscape and a more politically-conscious audience. There’s an increasing drive, [Jennifer] Gersten tells CJR, ‘to ask what a given concert is doing for the reputation of an institution and for the field at large … Can we use this concert, this particular piece, as a sign that there are better things to come?’” – Columbia Journalism Review

You Think Venice And Barcelona Have Too Many Tourists? Pity This Poor Austrian Village

Hallstatt, a pretty lakeside hamlet of 800 people, got 19,344 tour buses last year (that’s an average of 53 a day, year-round) and more than a million visitors. Residents have encountered strangers in their bathrooms and camera drones by their bedroom windows. The flood began after Chinese developers, unbeknownst to Hallstatters, built a life-size replica of the village in Guangdong and Asian tourists came flocking to see the real thing. – The Washington Post

Is Venice Really Banning Cruise Ships From The Lagoon? Not Exactly, No

Despite many an international headline to the contrary (not to mention the wishes of some local campaigners and residents), no ban has yet been adopted into law or even government policy. There’s a proposal from Italy’s transport minister to begin, as of September, diverting the largest ships away from Venice’s historic center to the other side of the lagoon. Clare Speak explains what is and is not happening. – The Local (Italy)