Damien Hirst’s Artworks Are Like Junk Bonds, Says Critic

Julian Spalding: “If you want a pickled shark in a tank, you don’t have to pay the $12m Steve Cohen paid for the one selected by Hirst. You only pay that much for the artistic content that Hirst has added to it. If there isn’t any, what are you buying? … Damien Hirst isn’t an artist. His works … have no artistic content and are worthless as works of art. They are, therefore, worthless financially.”

Looking For New Ways To Remind The Audience To Turn Off Their Damned Cell Phones

“Once upon a time, stage actors worried about tomatoes. Now, they worry about T-Mobile. Thus, the ubiquitous reminder to listen up and power down. While some preshow messages are direct and unadorned, many directors and producers view the recording as an occasion for a bit of creativity, an opportunity both to set cellphones on silent and to set the tone for a production.”

Rage Against The Machine: Peter Gelb On Robert Lepage’s Ring Cycle At The Met

“This backstage drama should not matter to the public,” but Gelb, “the Met’s general manager since 2006, has been living it, attending every stage rehearsal and ‘complaining bitterly,’ he said, about the persistent clankiness of the so-called machine, the 45-ton set of movable planks that dominate the production.”

Freudian Slips Are Overrated

“But decades of research in psycholinguistics reveal that speech errors are rarely this incriminating. The vast majority of them come about simply because of the sheer mechanical complexity of the act of speaking. They’re less like Rorschach blot tests and more like mundane assembly-line mistakes that didn’t get caught by the mind’s inner quality control.”