Author: Matthew Westphal

Unique Red Granite Bust Of Ramses II Discovered In Egypt

“An Egyptian archaeological mission from the Ministry of Antiquities has unearthed a red granite royal bust of King Ramses II emblazoned with the Ka, a symbol of power, life force and spirit. The discovery was made during excavations on privately owned land in Mit Rahina village in Giza, after the landowner was caught carrying out illegal excavation work at the site.” – Archaeology News Network

The Time For Competitive Arts Prizes May Be Over

“All these prizes are, effectively, marketing exercises. That does not make them bad things … Today, though, artists and judges alike are more attuned to the difficulty in choosing ‘the best’ when all artists palpably do not have equal access to the starting lines; when ‘the best’ is a subjective and contingent category; when the authority of all kinds of institutions, and not just cultural prizes, is on the wane; and when artists competing like racehorses feels out of tune with the times in a way that it did not during the more individualistic Thatcher and Blair eras.” – The Guardian

Homecoming: Simone Young Is Next Chief Conductor Of Sydney Symphony

“She will take up the position at the start of 2022 when the orchestra returns to its home at the Sydney Opera House following the two-year closure of the Concert Hall for a major upgrade, including an acoustic refurbishment. In 2021, she will be the orchestra’s Chief Conductor Designate as she puts the 2022 program in place.” – Limelight (Australia)

Dalton Baldwin, One Of The World’s Great Art-Song Pianists, Dead At 87

“For most of his career, he was known as an accompanist, outdated nomenclature that cannot begin to describe his musical sensitivity to the needs of a singer. … His association with singers Elly Ameling, Jessye Norman, José van Dam, Teresa Berganza, Mady Mesplé, and above all, baritone Gérard Souzay, with whom he concertized for over three decades, literally defines the history of European art song performance in the second half of the twentieth century.” – WFMT (Chicago)

Class, control, and classical music

“Something that has increasingly bothered me over 20 years as a practitioner and educator, is that “music education” as we conceive it (right down to state/county/national syllabi/standards) is not really for everyone, even if it’s supposed to be. … [Anna] Bull’s Class, Control, and Classical Music is a book for our time, especially for those of us who went through classical music training (even just school-age instrumental lessons or choir/chorus rehearsals), loved or loathed it, and would like to point a critical lens to that part of our lives.” – James Humberstone

How this nomadic music group is bridging cultural divides

“The band Tinariwen hails from the deserts of Mali in North Africa. Its sound blends ancient Saharan instruments with electric guitars, and has earned the band devoted fans around the world. During a recent U.S. tour,however, band members experienced a darker side of America. Before a North Carolina show, they received a barrage of Islamophobic comments on social media. But as producer Ali Rogin reports, the city of Winston-Salem banded together to give them a warm welcome.” – PBS NewsHour

At Putin’s Request, Russia’s Major Museums Are Opening Regional Satellites

The Hermitage in St. Petersburg has just opened a branch in Omsk, the Pushkin in Moscow is setting up in Samara and Nizhny Novgorod, and both museums are making plans to open outposts in Yekaterinburg. Similar plans are in the works from Kaliningrad (wedged between Poland and Lithuania) to Tomsk in Siberia to Khabarovsk in the Far East and (especially) Vladivostok on the Sea of Japan. – The Art Newspaper

‘The Inheritance’ Was A Huge Success In London, So Why Isn’t It Catching On In New York?

Isaac Butler: “Usually when a piece from the U.K. fails to resonate in the U.S. (or vice versa), we can chalk it up to intangible cultural differences between our two countries and their famous separation by a common language. But this was an American play, with a mostly American cast, about New York City, the AIDS crisis, gay history, and what members of a community owe to each other. Why has it ended up struggling so much over here? The answer is partly political, … [but] more deadly, I think, are basic problems of playwriting craft: If The Inheritance is failing to connect, it is because its structure as a work of drama is unsound.” – Slate

World’s Tallest Ballet Dancer, Fabrice Calmels, Is Leaving Joffrey After 19 Years

“I think I’m at the top of my game. I’m not retiring, I’m not doing this because of health. And I love teaching and coaching.” And, while he loves Chicago, he’s moving to L.A. “First of all, California is warmer, and I need that for a little while. Also California makes sense because a lot of things that I want to do could be movie-related. I also feel like it’s far away from ballet … and I like that challenge.” – Pointe Magazine