Peggy Guggenheim’s Descendants Sue Foundation Over What They’ve Done To Her Venice Palazzo

“They charge that the foundation ignored Peggy Guggenheim’s last wish for the collection, which consists mainly of Cubist, Surrealist and abstract postwar art: that it be displayed in the palazzo in its entirety and without additions.” More generally, they’re furious over the expansionist, corporate character of the foundation’s current activities.

Jennifer Weiner Wants Critics To Take Female Genre Authors Seriously – So Laura Miller Gives Her A Serious Review

“[Weiner] doesn’t need the New York Times; she doesn’t respect its literary standards; her readers don’t care about it; and yet she craves its validation. … An obsession with prestige and exclusion haunts her characters and her fictional universe, but as much as they (and Weiner herself) resent all the people they imagine to be looking down on them, they can be dismayingly ready to turn the tables and partake of the same arrogance themselves.”

Supertaskers (Some People Really Can Multitask)

For years, researchers have reported that humans cannot truly multitask and that performance suffers when they try. Yet there seems to be “a tiny but persistent subset of the population – about two per cent – whose performance does not deteriorate, and can even improve, when multiple demands are placed on their attention.”

A Stage ‘1984’ For The WikiLeaks-Facebook-NSA Era

Co-adapter and -director Robert Icke: “[Orwell] thought that we would be reporting on ourselves, which is now obviously very true with Facebook, Twitter and Instagram and the fact that our phones now know exactly where we are … We are all completely self-reporting, which prompted us to switch round the words ‘Big Brother is watching you’ into ‘Big Brother is you watching’, which we’ve incorporated into our script.”

Why Atom Egoyan Is So Frustrated Over His West Memphis Three Film

Critics have suggested that, with three or four documentaries on the case already out there, Devil’s Knot didn’t need to be made. Says Egoyan, “Journalists forget people haven’t seen the documentaries and don’t need the documentaries. … For people who don’t know the case, it’s a powerful experience. And it’s a huge risk dramatically, using a huge number of genres to tell the story – murder mystery, courtroom drama, procedural … It’s all over the map.”

No One Ever Directs Ellen Burstyn

“Directors tend to kind of let me do what I want to do. As a matter of fact, when I was doing Law & Order: Special Victims Unit … the director came up and he gave me a direction. … But as he walked away, he said, ‘You don’t mind me saying that to you, do you?’ And I said, ‘Mind? It’s the first piece of direction I’ve gotten in ten years! I love it!'”