Robert Wilson Dishes: Lady Gaga Is A ‘Genius’, Marina Abramovic Will Be ‘A Footnote’, The Audience Can ‘Get Lost’

He’s not really being that rude about Marina: “She’ll have a place in history for having done something. She disagrees, but I don’t think the work is meant to be reproduced. She’ll have an influence.” On Gaga: “The concentration, the power she has, it’s total. … She should do Medea.” On theatre staging: “You don’t have to understand every second. I think that’s the problem. Let the audience get lost. It’s OK.”

Tiny Malibu Radio Station Was Going To Be NPR’s Smallest Affiliate – Until …

KBUU, the low-power FM station in the isolated L.A. beach community, had gotten a surplus NPR satellite dish and lots of support from two larger area public radio stations (whose signals don’t reach Malibu), and was set to go – until NPR unexpectedly denied permission, apparently at the request of another nearby affiliate (whose signal doesn’t reach Malibu).

Top Posts From AJBlogs 12.29.15

The arts, effective altruism, and data
The Seattle Times reports “With millennial philanthropy money flowing, arts groups miss out” … Read the whole thing, as they say, but I think there is a fair bit of confusion in the piece, and the place of the arts in effective altruism, and the role of data. … read more
AJBlog: For What It’s Worth Published 2015-12-29

Expanding Our Art Horizons
In recent years, some museums have begun a push to build their collections in Latin American art and to show more of it in special exhibitions, too. Much of the emphasis has been on modern … read more
AJBlog: Real Clear Arts Published 2015-12-29

Sad face
Several family shows I’ve seen this month are happy to dance with the dark.  Each may send you out sadder but wiser. Growing up is full of fear. Sometimes people leave you. Nature may not survive our greed. Happy holidays! … read more
AJBlog: Performance Monkey Published 2015-12-29

[ssba_hide]

In Praise Of The Unsung Understudy

“To see an actor other than Miranda step into [the title role of Hamilton] is to be aware in a different way of the risk and the danger and the promise of the historical moment, and the theatrical one. It is also a salutary reminder to all theatregoers to embrace the understudy, in whatever show he or she appears, in whatever role he or she is cast. See the understudy take his shot. It might be revolutionary.”