Anton Chekhov, Experimental Post-Modernist

“Aside from stories that he was writing in a more traditional form, Chekhov’s young, experimental pen wrote stories in the form of census reports, statistical surveys, diary excerpts, stories in the form of lists of mathematical problems, lonely hearts advertisements, mini-plays – he even wrote a one-page love story in the form of a legal deposition, with a place in the upper left-hand corner of the page for a government stamp.”

Picasso And The Making Of ‘Guernica’

“As the most ardent promoter of Spain’s pavilion [for the Paris World’s fair], [Juan] Larrea … realized that the obliteration of Guernica would provide the artist with the very subject he had been seeking. When Picasso claimed to have no idea what a bombed town looked like, Larrea replied, ‘like a bull in a china shop, run amok.'”

Isao Tomita, 84, Pioneer Of Music For Moog Synthesizer

“The weirdest thing about Tomita’s electronic music is that it almost never happened. … He was uninterested in the military marches that he heard on the radio as a young child. His attitude toward music changed when the war ended and his family’s radio started picking up broadcasts from the occupying American forces. Suddenly, jazz, Latin, classical and a host of other exotic genres rushed in to his living room.”

Would Yannick Really Be The Right Person To Lead The Metropolitan Opera?

Zachary Woolfe: “From its next music director, the Met should want a personal, passionate vision for the repertory as much as an exciting persona and technical chops. … But for better or (I think) worse, he would not arrive at the Met with an agenda, particularly in modern and contemporary music. … Mr. Nézet-Séguin would doubtless give us memorable takes on Otello. Is that enough?”