The Ballet National De Marseille – Dance And Protest In The Wake Of France’s Terror Attacks

Co-artistic directors Emio Greco and Pieter C. Scholten have two themes to their work at the company: “Le Corps du Ballet” (deliberately not corps de), and “‘Le Corps en Révolte’, the body in revolt, where ‘the ballet is used almost for protest’, says Greco. The aim is to create a space for demonstration, ‘like Taksim Square’.”

Is Donald Trump’s Favorite Opera Aria Maybe A Little Bit … Fascist?

The GOP presidential nominee used to use Pavarotti’s famous recording of “Nessun dorma” from Turandot at rallies (until the tenor’s heirs told him to stop). It’s unclear how much Trump really knows about Turandot, but there certainly are scholars convinced that the work has Fascist overtones, and Puccini himself was an admirer of Mussolini (to whom Trump is sometimes compared).

Stephen Sondheim Says His New Musical Will Be Ready Next Year

“The performance date may be news, but the subject is well known. Written with the playwright David Ives (Venus in Fur), the piece is based on two films by Luis Buñuel, The Discreet Charm of the Bourgeoisie and The Exterminating Angel. The first, in Sondheim’s précis, is about a group of people trying to have dinner together, and the second is about people having dinner together who for some reason can’t leave.” (The hope is for the musical to run in New York at the same time as Thomas Adès’s new opera version of The Exterminating Angel.)