Does Diversity Really Improve Creativity?

“Most studies assume that the relationship between diversity and creativity is linear, but recent evidence suggests that a moderate degree of diversity is more beneficial than a higher dose. This finding is consistent with the too-much-of-a-good-thing paradigm in management science, which provides compelling evidence for the idea that even the most desirable qualities have a dark side if taken to the extreme. In other words, all things are good in moderation (except moderation).”

What Philosophy Can Learn From Film

From Gilles Deleuze and Stanley Cavell to Stephen Mulhall and Robert Sinnerbrink, an argument has been made that film can be philosophy. Indeed, that cinema can serve philosophy not in some ancillary role – for example, by providing ‘illustrations’ of philosophical problems in classroom settings – but in its own right, with its own means, and in a manner irreducible to the methods of traditional philosophy.

1000 Zombies Descend On This Week’s Hamburg G20 Meeting In Unique Protest

“Called 1000 GESTALTEN, which translates in English as ‘1,000 figures,’ it was a performance in which actors covered in grey, crusty clay moved silently and steadily through the city in a transfixed state. For the days leading up to July 5, these figures started appearing all over Hamburg, slowly growing in numbers until culminating yesterday in a giant formation in which a “transformation” took place, the actors breaking free from their clay shells.”

In His Lifetime, Toscanini Was A Musical God. His Star Has Faded Considerably With Time

In recent decades, “Toscanini’s musical reputation has faded badly. Some of his old fans have shifted their loyalty to the work of other conductors—to Furtwängler, say, whose soulful expressiveness and spontaneity have been held up as musically and emotionally superior to Toscanini’s fiery propulsiveness. In the revisionist view, Toscanini rushed through passages that other conductors would turn into contemplation or mystery or sheer loveliness. He offered a maximum of line, a minimum of texture; he was all athlete, no philosopher.”