Architect Gordon Bunshaft’s Albright-Knox Museum Is A Modern Masterpiece; Now The Museum Wants To Alter It

“The plan, which is still its early phases, would see Bunshaft’s tranquil gap between his black box and the 1905 building filled in with a new, glass-enclosed space; Bunshaft’s galleries and courtyard would be demolished. Surface parking currently in front of the 1905 building would be converted back into green space—as it was before the 1962 expansion—with parking and future gallery space buried underneath.”

Time To Be Done With Mahler?

“Mahler said his time would come; the question now, for me, is when it will go. For the symphonies, up until the last, are all flawed, in different ways, but primarily because they peddle sentimentality as courage, heroism, defiance and piety.”

Meet The New Head Of US Artists: Who Is Art For And What Can It Do?

“What does it mean to raise money for individual artists at a time when our largest governing body says that thing has no value whatsoever? For me, the main goal is to make the organization sustainable. I want to know that if the NEA is cut today, tomorrow, 10 years from now, 15 years from now, that United States Artists can still be here, still doing the same work.”

Why “Smart” Cities Aren’t Just About Tech

Jason Schupbach: “I think what tech misses a lot is the culture of place. One of the biggest problems that happens in city development is that people are saying you can use the same solution everywhere without really understanding how a society works or what the culture of a place is. Just slap on this tech thing and it’ll just work, everybody will adopt it, why not, it’s awesome. So I feel like one of the things that creative placemaking can do really well, or that an artist can do really well, is to help be that bridge between the community and the tech company, or whoever’s trying to come in and do something.”

Do University Teaching Jobs Stunt Writers?

“Even in Britain, whose elite universities were once home to elbow-patched, tweed-jacketed writers never burdened with the expectation of production — E. M. Forster famously spent more than two decades as an honorary fellow at King’s College, Cambridge, without ever publishing another novel — technocratic administrators have managed to extend their control over writers to a dispiriting degree.”