How Theatres In Belarus Got Politically Active

Belarusian theatres, almost all of them state-owned since Soviet times, have officially remained outside of politics for 26 years. Everyone in management positions was appointed by the Ministry of Culture, and any political activity by employees was punished severely. But this August, it seems, even the Belarusian state theatres awoke from their slumber. – American Theatre

Why Cities Look More And More Alike

The anthropologist Marc Augé gave the name non-place to the escalating homogeneity of urban spaces. In non-places, history, identity, and human relation are not on offer. Non-places used to be relegated to the fringes of cities in retail parks or airports, or contained inside shopping malls. But they have spread. Everywhere looks like everywhere else and, as a result, anywhere feels like nowhere in particular. – The Atlantic

Isaac Stern Was Really Famous. So Why Has His Star Faded?

A century after his birth, Stern is no longer nearly so well remembered as Bernstein, whose posthumous celebrity remains undiminished. By contrast, Stern is essentially unknown to Americans under the age of 60, very few of whom listen to classical music. Moreover, he is increasingly known to older music lovers less for his playing than for his ancillary activities, among them his coaching and encouragement of such protégés as Itzhak Perlman, Pinchas Zukerman and Yo-Yo Ma; his groundbreaking 1979 visit to Communist China, where he played with Chinese musicians who had had no contact with their Western counterparts since the Cultural Revolution; and, above all, the pivotal role that he played in saving Carnegie Hall from the wrecker’s ball in 1960. – Commentary

How I Learned To Be A Kinder Critic

Josh Kosman: “If you’d asked me at the time, I could have unreeled a fairly high-minded manifesto about the central importance of honesty in criticism. None of it would have been wrong, exactly, but it also wouldn’t have been the whole truth. The rest of it — the part I left unacknowledged, even to myself — was that this philosophy was expressly designed to let me off the hook for whatever harm my writing might cause.” – San Francisco Chronicle