“In the wake of much discussion about the chronic underrepresentation of female composers on American concert programs, I came up with my own best-of list. Since I was responding to a list of recordings, I confined myself to artists active in the recorded music era, the 20th and 21st centuries”
Author: Douglas McLennan
How Tim Page Became Friends With Glenn Gould
“I flew to Toronto, and stayed for two days at the now-demolished Inn on the Park, on whose premises Gould kept a studio. He proffered a gentle, squeamish handshake when we met, and rarely looked at me thereafter; still, when we weren’t recording, we spent most of our time in hearty and contented laughter. That understanding, you see. Six weeks later, at the age of 50, Gould died from a stroke.”
Study: People Who Participate In The Arts Are More Likely To Participate In Their Communities
The findings suggest “the arts provide an important vehicle for facilitating a cohesive and sustainable society,” psychologists Julie Van de Vyver of the University of Lincoln and Dominic Abrams of the University of Kent write in the journal Social Psychological and Personality Science. “Fostering a society in which engagement in the arts is encouraged and accessible to all may provide an important counter to economic, cultural, and political fracture and division.”
Changes At The Toronto Film Festival Fuzzy Up What The Festival Is Becoming
“We are not a competitive festival, but we decided that the time was right. You’re responding to the environment of what’s going on in the marketplace, what’s going on with our own festival, and the coverage that certain films are getting and others aren’t getting.”
Many Thought The Internet Would Liberate Thinking And Make Us Smart. It Didn’t
“In the 1990s, David Gelernter predicted that the internet would be a perfect environment for thinking, both serene and lively. “My idea in Mirror Worlds was that the computer screen should be like the still surface of a moving pond,” he explained. That didn’t happen. The internet gives us the news and assists our research, but it is mostly used for low purposes, a glorified fidget spinner, trolling device, and masturbation aid.”
As Venice Has Become Disneyland, Tourists Eat Venice (And Locals Flee)
“If you arrive on a big ship, get off, you have two or three hours, follow someone holding a flag to Piazzale Roma, Ponte di Rialto and San Marco and turn around,” said Dario Franceschini, Italy’s culture minister, who lamented what he called an “Eat and Flee” brand of tourism that had brought the sinking city so low.
What I Learned At The National Critics Institute
“Workshopping 14 reviews of the same show is enlightening and frustrating. We learn so much from each other. Different lenses, different voices, different strengths. There’s a critic who talks about music in ways that make us all jealous. We recognize each other’s paragraphs and fonts instinctually by now. As my admiration for the others grows, my self-confidence breaks apart. Every point my fellow critics makes is just another point I missed. I don’t know if I’m getting better at this.”
We Used To Think Being Rich Was A Challenge To The Soul. We Don’t Seem To Think That Now
“According to an apocryphal exchange between F. Scott Fitzgerald and Ernest Hemingway, the only difference between the rich and the rest of us is that they have more money. But is that the only difference? We didn’t used to think so. We used to think that having vast sums of money was bad and in particular bad for you — that it harmed your character, warping your behavior and corrupting your soul. We thought the rich were different, and different for the worse. Today, however, we seem less confident of this.”
Tyshawn Sorey: In The Cracks Of Improvisation And Between Genres
What isn’t immediately clear is where Mr. Sorey’s written music ends, and where improvisations begin. “The idea of what is composed and what is improvised is pointless,” Mr. Sorey said.
What Defines Hip In Classical Music
“Classical hipsters don’t try to be hip. They just are. Attempted hipsterism is often geared towards reaching the younger audience member. There have been some notable successes, but not in the numbers we hoped to achieve. Audiences young and “old” recognize a strong, committed performance of the music we create on stage. Let’s always start there.”