Educationist Sir Kenneth Robinson, 70

He told the audience at TED in 2006: “I believe our only hope for the future is to adopt a new concept of human ecology, one in which we start to reconstitute our conception of the richness of human capacity. Our education system has mined our minds in the way we strip-mined the earth for a particular commodity. We have to rethink the fundamental principles in which we are educating our children.” Understandably, this was much more enticing to the education profession than it was to government ministers, but it was based not on a single speech but Robinson’s whole career in academic education, which culminated in a professorship at Warwick University (1989-2001), before he became a senior adviser to the J Paul Getty Trust in Los Angeles. – The Guardian

Is New York Over?

The city is indeed at a moment of reckoning—not simply because of the pandemic, but because of what it had already become. After the fiscal crisis of 1975, New York and its economy were restructured around tourism, high finance, luxury retail, and real estate. On the glittering surface, things had never looked better. By 2019, New York was richer than it had ever been before, its population at an all-time high and its forests of glass towers rising ever higher. Nearly 65 million tourists a year were flocking to the city—more than six times the number who came when the city teetered on the edge of bankruptcy. Beneath that glittering surface was a lot of emptiness. – The Atlantic

What’s Lost When Film Festivals Go Virtual

Festivals can serve as coronations, bestowing status or, even better, controversy. (Almost inevitably, “Joker” took home Venice’s top prize, the Golden Lion.) More valuably, they can channel the conversation toward worthier less-shiny objects. At a festival, you find yourself talking to strangers: in lobbies, shuttles, at bars, in snaking lines or seated next to you, as a way of sharing enthusiasm. – The New York Times

The Former Judge Who Writes Angry Letters To Journalists

A little over a year into my tenure at The Chronicle, I’d been initiated. For journalists, receiving an angry handwritten letter about usage from Quentin Kopp is a rite of passage, badge of honor and battle scar… His second letter to me, from December 2018, protested my use of “spaz” as a verb and any use whatsoever of “grok,” which he called “self-devised.” He concluded with a backhanded compliment: “But, don’t worry: Some quasi-literates may embrace you because you’re creative.” – San Francisco Chronicle

Meet The Musicians Who Are Going To The Scenes Of Tragedies to Play

Twenty volunteer musicians, all Black and Latinx string players from in and around Milwaukee, make up the Black String Triage Ensemble. When a tragedy occurs, they bring their instruments to the scene and play a concert. They go to shootings, suicides, overdoses, house fires, car accidents. They organize their concerts around the five stages of grief: denial, anger, bargaining, depression and acceptance. – Chicago Tribune

What Ancient Statues Tell Us About Universal Facial Expressions

Previous research on universal facial expressions has centered largely on similar responses by people from different modern communities. These studies seems to suggest that individuals across cultures classify emotions in similar ways—but the fact that many non-Western communities have interacted with Western cultures (often through colonialism) raises the possibility that participants share surveyors’ understanding of facial expressions not because they’re universal human knowledge, but because they were introduced to the culture in recent history. – Smithsonian

As Movie Theatres Reopen, Audiences Weigh The Safety Calculation

As high-profile titles like Christopher Nolan’s sci-fi epic “Tenet” and “The New Mutants” gear up to hit the big screen, marking the first major films to open since theaters were forced to close in March, audiences are faced with the choice of whether or not to return to the movies. Sure, they’re desperate for some entertainment and eager to do something more social after months of relative isolation, but do the risks associated with indoor activities justify a few hours of big screen escapism? – Variety