For all a director’s authority, film is the most collaborative art form, and Glass is surely the most collaborative artist in history. His dozens of movies are only a small part of his prolific output, which includes music for well over 50 operas, dance works and music theater pieces; 11 symphonies; hoards of concertos and other orchestra and chamber pieces. All that and the reams of music for the Philip Glass Ensemble, which he founded 49 years ago and is still going strong, as it demonstrated at the Ace on Sunday.
Author: Douglas McLennan
Why Is Academic Artspeak So Dense?
“Let’s stop pretending this language reflects ‘research.’ Let the reader decide whether an idea is plausible or implausible by explaining it, not by presenting it as established fact. Let’s have an end to academic artspeak – and while we’re at it, start letting art speak for itself.”
The Remarkable Magnetic North Theatre Festival Gets A Second Chance
“For one thing, it goes to small places other than Toronto, Montreal and Vancouver in the country, where people are underserved in terms of having access to the work of Canadian artists. It is also a gathering place where everyone from students to audiences to artists can come together to meet and talk; and it is also a showcase for Canadian artists who don’t have a lot of platforms for their work. There are more now – but an opportunity for presenters to see a lot of Canadian work in one place in a short period of time is very important.”
What Data Scientists Are Learning From Crunching Literature
The oddest finding may be the sharp increase in an innocuous little word: “and.” In 1946, “and” accounted for around 2.6 percent of the words in the reports, a frequency similar to that of average academic prose. But by 2015, as this chart shows, its share had almost doubled, reflecting what the researchers describe as the growing tendency toward long lists of nouns that create the illusion of activity, sometimes despite a “total absence of logic.”
Data: A Revolution In Understanding Literature? (Controversial, To Say The Least)
Literary criticism typically tends to emphasize the singularity of exceptional works that have stood the test of time. But the canon, Franco Moretti argues, is a distorted sample. Instead, he says, scholars need to consider the tens of thousands of books that have been forgotten, a task that computer algorithms and enormous digitized databases have now made possible. “We know how to read texts,” he wrote in a much-quoted essay included in his book “Distant Reading,” which won the 2014 National Book Critics Circle Award for Criticism. “Now let’s learn how to not read them.”
Teachers At NY Arts School Of “Fame” Renown Protest Arts Cutbacks
Founded as an arts school in 1936, LaGuardia was immortalized in the 1980 film “Fame.” Alumni include a galaxy of stars such as Liza Minnelli, Robert DeNiro, Al Pacino, Vanessa Williams and Jennifer Aniston, along with top artists, composers and musicians.
How Hollywood Is Cashing In On The Nostalgia Economy
These companies tap into our emotional longing for simpler times; even Socrates yearned for the days before this new-fangled technology called “reading” ruined everything (paywall). Never content with the cards we’ve been dealt, we keep on turning old ones over, wanting to escape into their familiar embrace.
Being Hemingway (No Piece Of Cake)
“Perhaps a man possessed of an ego the size of a hot-air balloon could only subsist within a myth. To keep himself airborne required so much huffing and puffing that inevitably he ran out of breath. He was jealous, insecure, treacherous to his friends, and merciless toward his promoters—no good turn, no matter how good it was, went unpunished—and although he overestimated his talent, he also largely wasted it, which was precisely the charge he had laid against his old pal F. Scott Fitzgerald, who, with The Great Gatsby, surely did write if not the then at least agreat American novel.”
And Thus Was The Angriest Librarian Born…
“While I never intended to become The Angriest Librarian, a lifelong inability to hold my tongue—and my frustration with the permeating stereotypes of 1950s-era public libraries—seems to have made it inevitable. So, when I was confronted with yet another blowhard who couldn’t see the value his tax dollars were placing right in front of his face, I had no choice. Over the next few days, I picked up 15,000 followers and found myself in a position to become a public face for my besieged profession.”
Should Conditions In Prison Really Be Worse Than On The Outside?
“Why are the carceral practices in the US so harsh? Part of the reason is the vestige of a Christian-inspired desire to reform the offender’s soul. Around the time of the Revolution, the penitentiary’s ‘unsocial manner of life’ based on order, obedience and silence could seem plausible only to those who thought that they could achieve a ‘new victory of mind over matter’. Today, prolonged solitary confinement is coming to be seen for what it is: torture.”
