Purchase brands focus on the “moments of truth” that happen before the transaction, such as researching, shopping, and buying the product. By contrast, usage brands focus on the moments of truth that happen after the transaction, whether in delivery, service, education, or sharing.
Author: Douglas McLennan
Theatre Access For All – It’s Coming But Audience Attitudes Need To Change
Many audience members seem increasingly intolerant of any distraction in their theatregoing experience, an attitude likely brought on in part by the steep rise in ticket prices. Will the use of smart phones, even with a non-glare app, inspire some nasty exchanges? Will open captioning continue to be seen as some kind of niche practice that intrudes on the serenity of the “mainstream”? Will autistic audience members always be accommodated through a policy of separate but equal?
North Korea’s Pop Musicians Are A Well-Oiled Propaganda Machine
In addition to their rare performances abroad, North Korea’s modern musicians play an essential role at home as propagandists for the government. Songs are usually aimed at building the Kim personality cult and legitimizing the Kims’ leadership role by invoking Mount Paektu, the sacred symbol of the family. Titles include “Our Comrade Kim Jong Un” and “We Know Only You.”
Study: What If Artists Retained Equity In The Sales Of Their Work?
“In their paper, titled Democratizing Art Markets: Fractional Ownership and the Securitization of Art, the authors, using historical sales data from the Leo Castelli gallery, have modelled a sample portfolio to determine what would have happened had Jasper Johns and Robert Rauschenberg retained 10% equity in their own works sold by Castelli between 1958 and 1963.”
Of Editors, Power And Sexual Exploitation
“Editorial power is an odd thing to dissect because it is extensive and pervasive in some ways and negligible in others. There are a few people in this world who decide who speaks and when and where, and editors are part of that small minority. Not only that, but editors also have power over how someone speaks. That is a massive privilege to hand to some other person. I wouldn’t even let someone else order for me at a restaurant. It involves trust and a measure of faith that is kind of shocking if you think about it.”
The Psychology Of Midlife Crises
If you’re a jerk, it’s useful to have a midlife crisis; it gives your irresponsible behavior an existential sheen. Almost certainly, the term is overused.
New Survey Hopes To Shed Light On Arts Salaries
“The survey, which is targeted at art industry workers of all genders, asks for information on compensation, job title, what types of tasks and responsibilities workers engage in, and benefits and other job-related data. There is also a section for demographic information, such as age, gender, and race.”
How Facebook Killed Online Comedy?
The whole story is basically that Facebook gets so much traffic that they started convincing publishers to post things on Facebook. For a long time, that was fine. People posted things on Facebook, then you would click those links and go to their websites. But then, gradually, Facebook started exerting more and more control of what was being seen, to the point that they, not our website, essentially became the main publishers of everyone’s content. Today, there’s no reason to go to a comedy website that has a video if that video is just right on Facebook. And that would be fine if Facebook compensated those companies for the ad revenue that was generated from those videos, but because Facebook does not pay publishers, there quickly became no money in making high-quality content for the internet.
Quincy Jones: The Beatles Were Terrible Musicians
“They were the worst musicians in the world. They were no-playing motherfuckers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and Ringo arranged a version of “Love Is a Many-Splendored Thing” for Starr’s 1970 solo debut album Sentimental Journey, which was produced by the Beatles’ frequent collaborator George Martin. The song, and album, are more than a bit gloopy. had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, “Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.” So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, “George, can you play it back for me one more time?” So George did, and Ringo says, “That didn’t sound so bad.” And I said, “Yeah, motherfucker because it ain’t you.” Great guy, though.
Does This Grammar App Actually Make You A Worse Writer?
Whatever its faults, Grammarly’s Chrome extension isn’t completely useless. It’s saved me from some basic typos in hastily composed tweets and emails, and when I ran a draft of this article through it, it noticed a missing word that I (probably) would have caught on review. Nevertheless, the company’s ostensibly advanced tools are more likely to degrade our writing than improve it, if only because they don’t reflect the ways we really write.
