The incomprehensibly high number of complaints, though astonishing, speaks to Britain’s problematic conceptualisation of race and its relationship to racism. It shows a general intolerance to confront it. This, in part, is based on the denial of racism and a mythical idea of Britain as post-racial, where racism and racial inequality no longer exist. – The Conversation
Author: Douglas McLennan
How Academics Infected Literary Journalism
The laudable aim of encouraging brainy specialists to share their knowledge with the world at large has turned into a complete disaster. Why is the presence of an academic on a book prize judging panel, fronting a BBC Four arts documentary or even reviewing for a national newspaper generally such an embarrassment? – The Critic
What The Arts Can Learn From The NBA’s Bubble
The NBA used theatricality to replicate the essence of a live game — fans cheering, sound effects, music — and gave viewers the opportunity to be visible to both the players and to themselves in the live performance space. As performing arts venues make decisions about the future, creating hybrid events that include virtual presence and audience recognition will be important for developing investment in their work. – The Conversation
UK Gallery Employees Call Out Bad Behavior In Instagram Account
The page has published dozens of accounts of alleged abuses of power in the art trade since it was started in July, amid similar calls by accounts such as @changethemuseum and @abetterguggenheim, which accuse institutions of discriminatory practices. – The Art Newspaper
Art Paris Fair Opens Live With Surprisingly Robust Crowds
The fair went ahead on September 10 through 13, offering a model of what a socially distanced art fair could look like, with controlled crowd flow and attendees capped at 3,000 at a time in the main thoroughfare under the cavernous glass roof. Nonetheless, it welcomed some 56,931 visitors, just 10 percent fewer than last year. – Artnet
Italy Appoints 13 New Museum Directors, With Emphasis On Homegrown Talent
The move is part of the Italian government’s drive to recruit so-called “super-directors” with experience of fundraising as well as scholarly credentials. Crucially this shift, which gave museums greater autonomy, was set in motion in 2015 under culture minister Dario Franceschini when the centrist government hoped to overturn the image of outdated bureaucracy associated with Italian institutions by appointing foreign museum chiefs. – The Art Newspaper
The Monuments America Needs?
When we speak of monuments in America, we’re often talking about structures such as statues, obelisks, and memorials that celebrate a relatively narrow band of our history: the Civil War, the First and Second World Wars, the civil-rights era. Our monumental landscape preserves a sense that we are an exceptional, upstart nation. (American civilization may not boast standing stones that date back to the prehistoric era, but we do have Carhenge.) – The New Yorker
JK Rowling Under Attack For Character In Her New Book
Penned under the pseudonym Robert Galbraith, Troubled Blood is Rowling’s fifth book to feature private investigator Cormoran Strike. An early review of the book by Telegraph writer Jake Kerridge described it as featuring a “transvestite serial killer,” which inspired readers’ anger and spawned the Twitter hashtag #RIPJKRowling — a tongue-in-cheek commentary on the author’s career. – CBC
US Senate Report On Money Laundering Contains Warning For Art Market
Focusing on purchases of art from major auction houses by Arkady and Boris Rotenberg, two Russian nationals described as ‘oligarchs’ by the report, the Subcommittee makes a series of pronouncements about the supposed prevalence of money laundering in the art market, and the need for regulation to address this perceived problem. – Apollo
Virtual Theatre As An Opportunity Space
“We’re working with authors, artists and companies we’ve always wanted to and reaching audiences around the world in numbers that would be completely unattainable with previous ways of working. This is our working practice now. It’s not an addition – it is the core.” – The Stage