Get Your Big Ears On

Contained within a walkable radius of historic downtown Knoxville — in a range of ornate landmark theaters, refurbished industrial spaces, art galleries, churches, and clubs — it creates its own atmospheric climate, along with a center of gravity. From its first iteration in 2009, the festival has been a locus of expedition, defined more by a go-anywhere ethos than by any style or genre allegiance.

An Extraordinary Personal Reflection On Climate Change By Composer John Luther Adams (Read This!)

“As a composer, I believe that the best gift I can offer our troubled world is music. Some composers choose to address the political issues of their times directly in their music. But, although I’ve been politically active all my life, the heart of my music lies elsewhere—again, in the Earth. In order to renew human culture, we sometimes need to step outside of culture, to remember that we are only a small part of the larger order of things. Although my work is in culture, I search for my music at the intersection of human imagination and what we call “nature,” which is the ultimate source of everything that we are as individuals, as societies, and as a species.”

Small Study: Music Lessons Boost Children’s Cognitive Skills

Researchers followed 147 Dutch schoolchildren—half of whom took supplemental music-education classes, along with their regular curriculum—for two-plus years, beginning at age six. “Children who received music lessons showed improved language-based reasoning, and the ability to plan, organize and complete tasks, as well as improved academic achievement. This suggests that the cognitive skills developed during music lessons can influence children’s cognitive abilities in completely unrelated subjects, leading to overall improved academic performance.”

When Artists Have Jobs Outside Art (Is The Art Better?)

For these creators, a trade isn’t just about paying the bills; it’s something that grounds them in reality. In 2017, a day job might perform the same replenishing ministries as sleep or a long run: relieving creative angst, restoring the artist to her body and to the texture of immediate experience. But this break is also fieldwork. For those who want to mine daily life for their art, a second job becomes an umbilical cord fastened to something vast and breathing. The alternate gig that lifts you out of your process also supplies fodder for when that process resumes. Lost time is regained as range and perspective, the artist acquiring yet one more mode of inhabiting the world.