High-definition television broadcasting is here, but broadcasters are wondering if anyone is watching it. “It’s a good old-fashioned chicken-and-egg debate. Depending on your viewpoint, either there aren’t enough digital set owners to make broadcasting much programming worthwhile, or there isn’t enough high-def programming out there to spur new set sales.” – Variety 03/31/00
Author: Douglas McLennan
DYNAMIC DUO
The lives of two of Britain’s most revered writers, father and son Kingsley and Martin Amis, are due to cross paths in May with the release of the father’s collected letters and the son’s long-awaited autobiography. “To have Kingsley’s chronic hatred of phonies, philistines, tight-fisted drinking companions, bullying officials, mouthy women, pompous barmen, and pretentious artists and have all his opinions raw, unconstrained by any shreds of tact, and his pungent stories about his peers unmediated by the filter of fiction, is a treat. To have the inside story on Martin Amis, the writer who has influenced more prose styles than any other in the last two decades, runs it a close second.” – The Independent (UK)
CULTURAL COLD WAR
A new book documents the CIA’s “promotion of a non-Communist left” through lavish post-war funding of American intellectuals and artists. “The most disturbing revelations of the book are not so much what the CIA did as whom it persuaded-openly or under cover-to do the dirty work of propaganda.” The roster includes some decidedly unusual suspects: Stephen Spender, Mark Rothko, Mary McCarthy, Dizzy Gillespie, Robert Lowell, Peter Matthiessen, and many others. “Such people were foot soldiers in a cultural cold war. For two decades they accepted grants, travel stipends, and commissions from a wide variety of CIA front organizations designed to win the hearts and minds of intellectuals tempted by ‘neutralism.'” – Chronicle of Higher Education
SENT ELSEWHERE
“Theatre is not just New York,” says a representative of the National Theatre Artists Residency Program, which funds collaborations between theater artists and theater companies to develop new work. The organization announced the recipients of its $1 million in annual grants – and not one New York-based theater received funding. – Backstage
THE THEATER OF SCIENCE
Broadway has an unlikely new hit – a play depicting the fabled meeting between physicists Niels Bohr and Werner Heisenberg. In 1941, the German Heisenberg was eagerly pursuing a workable atomic bomb for his country and the Danish Bohr was researching quantum physics in Copenhagen. Its success bodes well for a developing genre: science-based theater. – Wired
WORLDS APART
A British Council-sponsored season of English plays being produced in Paris has been shaking up intellectual French audiences who aren’t quite sure what to make of the “crude language” and campy acting. “To French audiences, the British season has often been disorientating. Should, for instance, they take seriously the camp acting in the Kaos Company’s “Importance of Being Earnest”? Or learn to laugh at Oscar Wilde, an author popular in France as a symbol of resistance to tyrannical British officialdom?” – The Times (UK)
EVERYTHING OLD AND NEW AGAIN
American architect Rick Mather has been entrusted to redesign and redevelop London’s South Bank. Mather has been working in London for 30 years, putting his modernist touch on a series of redevelopment projects, including the Dulwich Picture Gallery, National Maritime Museum, and Oxford’s Ashmolean Museum. His South Bank scheme blends conservation and renewal. – The Telegraph (UK)
DON’T FENCE ME IN
A fence being built around the Pantheon in Rome in hopes of protecting it from vandals is earning the ire of Romans. “Should art and architectural treasures be left to be enjoyed as they are, despite the risks of vandals, thieves and pollution? Or should they be fenced off, sealed behind bulletproof glass or hauled off to museums with modern-day copies as stand-ins?” – Washington Post
FOR MATURE AUDIENCES
A collection of ancient Roman erotica, unearthed from Pompeii and Herculaneum, will open to the public for the first time next month after being stashed in a Naples museum for 200 years. The so-called “secret cabinet” of artifacts ranges from “mythological scenes of love and sex between nymphs, gods, and satyrs that decorated Roman homes to erotic images which were hung in brothels.” – Times of India (Reuters)
THE POLITICS OF STAMPS
Commemorative stamps are big big business, and the US Post Office has been releasing a flood of them – 5 billion to 6 billion a year: singles, sheets, rolls, blocks, booklets, commemorating everything from… well… – Washington Post
