Two men say they were hired by Georgia O’Keeffe to do chores for her. “John Poling, a philosophy professor at St. Olaf College in Northfield, Minnesota, and Jacobo ‘Jackie’ Suazo, a retired state employee in Santa Fe, each recall being welcomed by O’Keeffe at her Albuquerque home, doing chores and, ultimately, being allowed to paint with her.” What became of the paintings is part of a tangled legacy. – CNN
Author: Douglas McLennan
THE VISION THING
How could New York not build itself Frank Gehry’s new Guggenheim in Lower Manhattan? It will have to be considered the most important new piece of architecture to be added to the cityscape since Frank Lloyd Wright’s original spiral. “The Guggenheim spiral is crotchety architecture that has generated a sentimental allegiance. But the Guggenheim plan for lower Manhattan induces dazed admiration, and a shuddering recognition of how much is still possible in today’s architecture. This is the key concept: possibility. If New York is the new Rome, it too needs its follies and risk-takers, its architecture of vision and vulgarity. If we don’t build this museum now, we’ll never forgive ourselves. And a hundred years hence, neither will anyone else.” – Feed
A MATTER OF INTELLIGENCE
Just why do so many movies seem to be so anti-intellectual? “Apart from the extreme theory that many movies are made by, and designed for, the brain dead, there is considerable evidence that the American film industry has long had a problem conceptualizing intelligence and prefers, instead, to glorify stupidity.” – Ottawa Citizen (CP) 05/05/00
TAKING ON THE TATE
Among the building excitement about this week’s opening of the new Tate Modern in London, not all the critics are enthusiastic. “Tate Modern is a graceless, gimmicky name for a building that is Britain’s best example of fascist architecture, speaking in its modern abstract classicism of Hitler, Mussolini and Atatürk rather than the timid aspirations of Attlee in 1947, the year of its foundation.” – London Evening Standard
LOUVRE SHUT DOWN
Security guards at the Louvre in Paris went out on strike Thursday, forcing the museum to close. The guards struck in sympathy with cafeteria workers who have been on strike for four weeks. The museum attracts 16,000 visitors a day this time of year. – The Independent (UK)
MOVING ON UP
Though it attracts a million visitors a year, London’s National Portrait Gallery has always been upstaged by its more prominent neighbor, the National Gallery. But a new makeover courtesy of an £11.9 million grant from the Heritage Lottery Fund, and another £4 million from private donations, has transformed the gallery into something much, much more. – The Times (UK)
DISCERNING TASTE
- Noted architecture critic Donald Trump has come out against the Guggenheim Museum’s proposal to build a new Frank Gehry-designed branch in Lower Manhattan. “This building could potentially destroy the skyline of lower Manhattan. There are some people that equate [the design] to a junkyard,” says The Donald. – New York Post
GET YOUR ACT TOGETHER
A high-profile artist has withdrawn the promise of a multi-million donation of his art collection to the Vancouver Art Gallery in the wake of leadership turmoil. – CBC
DEMOCRATIC ART
The German parliament has voted to allow Hans Haacke’s controversial artwork to be installed in the Reichstag. “The work consists of a huge wooden container sunk into the floor to be filled with earth from the constituencies of the 660 members of the German parliament. Seeds from all over Germany are to be planted in the earth to produce a garden that will be left to grow wild. A neon inscription above the container will read “Der Bevölkerung” (To the people), a deliberate subversion of the words which were inscribed in bronze on the façade of the Reichstag in 1915: “Dem Deutschen Volke” (To the German people).” – The Art Newspaper
THE RACE IS TO THE LUCKY
Ah yes, we all like to think that destiny, talent and hard work lead to artistic success. But these qualities aren’t the determining factor when it comes to literature. “What determines a work’s longevity is in many cases an accumulation of unliterary accidents in the lives of individuals years and sometimes even decades after the writer has gone unto the white creator. ‘The race is not to the swift,’ Ecclesiastes tell us, ‘nor the battle to the strong … but time and chance happen to them all.’ Nowhere is this truer than literary survival.” – Boston Review
