A Falstaffian provocateur, Mr. Alsop believed that his visually spectacular projects brightened their landscapes, and that architects had a calling to inspire the public. “Lifting the spirit, whether you’re working in a building or walking past it every day, is the job of the architect,” he told CNN in 2005.
Author: Douglas McLennan
The Two Sides Of Absurdity (Necessary For Insight)
Thomas Nagel argued that when we sense that something – or everything – in life is absurd, we’re experiencing the clash of two perspectives from which to view the world. One is that of the engaged agent, seeing her life from the inside, with her heart vibrating in her chest. The other is that of the detached spectator, watching human activity coolly, as if from the distance of another planet.
The World Seems Noisier Than Ever. It Probably Isn’t, But…
What has changed is not so much the level of noise, which previous centuries also complained about, but the level of distraction, which occupies the space that silence might invade. There looms another paradox, because when it does invade—in the depths of a pine forest, in the naked desert, in a suddenly vacated room—it often proves unnerving rather than welcome. Dread creeps in; the ear instinctively fastens on anything, whether fire-hiss or bird call or susurrus of leaves, that will save it from this unknown emptiness. People want silence, but not that much.
Oscar Hammerstein Was A Genius. So Why Doesn’t He Get More Respect?
No one questions Hammerstein’s historical significance, nor does the popularity of these six musicals show any sign of diminishing. But there is a gap between that popularity and the esteem in which he is held by many critics. Kenneth Tynan summed up the conventional wisdom about the alleged sentimentality and naiveté of Hammerstein’s work when he dismissed The Sound of Music as “a show for children of all ages, from six to about eleven and a half.” Stephen Sondheim, Hammerstein’s protégé, put it more forgivingly when he described him as “easy to make fun of because he is so earnest.”
How The Tech World Is Disrupting The Fashion Industry
“These companies aren’t out to nail trends, as the fast fashion manufacturers of past decades did, but rather to sell an all-encompassing clothing system through which consumers are meant to live. In tech terms, the brands are platforms and the products must be scalable, aimed at as wide and profitable an audience as possible, whether those products are fabric sneakers or ethically manufactured underwear. It’s clothing as software, embracing an ethos of one-for-all uniformity.”
Is The Wildly Popular MoviePass About To Go Bust?
Eight months after slashing its price and expanding membership past 2 million users, MoviePass is now at risk of going bust. The parent company, Helios & Matheson Analytics Inc., which now owns 92 percent of MoviePass, said last week that it had just $15.5 million in cash at the end of April and $27.9 million on deposit with merchant processors. MoviePass has been burning through $21.7 million per month.
We Form Intimate Relationships With Artists. And When They Die…
“I’ve been kept alive by music, and I’ve had friends who were kept alive by music. And the thing I know is that when a musician dies at the hands of their own demons, it makes the demons in your life—the ones that the musician helped you understand—seem briefly larger and more menacing. A person inspires you by enduring in the face of insurmountable pain, until they decide not to endure anymore. By virtue of having imagined yourself in the same boat, that death can become a fresh and dark isolation.”
Protesters Disrupt Philadelphia Orchestra Concert Over Plans To Tour Israel
Two of the protesters that entered the hall led music director Yannick Nézet-Séguin to slam his baton on the podium and walk off the stage. Some musicians began to leave, too, before the protesters, who were loudly booed by the audience, were forcibly removed. After the 10-minute disruption, the orchestra’s interim co-president, Matthew Loden, told the audience: “We live in an age where dissent is important. It matters. It should be heard. But the sanctity of the concert hall should be respected.”
German Museums To Audit Their Collections For Colonial Restitution
German museums’ collections of colonial-era artifacts, statues and art are being put under extra scrutiny as the country moves towards a nation-wide restitution effort. Germany’s culture minister, Monika Grütters, and the German Association of Museums published a code of conduct this week that outlines how curators can determine whether historical artifacts were acquired unethically or unlawfully by today’s standards.
It’s Almost Impossible For An Artist To Make A Living In Philadelphia