How Do You Determine Whether An Artwork Is Really A Leonardo?

To find a new Leonardo is to strike the purest vein of artworld gold. But only a few dozen of his works exist worldwide, and one of them sold recently for more than any other artwork in history. Leonardos have become a cultural currency, so to have discovered a once-lost drawing is a position of enormous potential power. If it is authentic, of course. The French seem to think so, but are they right? And how can they be sure?

Research: These Seven Moral Values Seem Common Across The Globe

“These seven moral rules – love your family, help your group, return favors, be brave, defer to authority, be fair, and respect others’ property – appear to be universal across cultures. My colleagues and I analyzed ethnographic accounts of ethics from 60 societies (comprising over 600,000 words from over 600 sources). We found that these seven cooperative behaviors were always considered morally good.”

Bloomberg Philanthropies Is One Of The Few Remaining National Arts Funders. Here’s How They Did This Year

Through initiatives that include facilitating collaborations between artists and local governments to address civic issues, capacity-building for small and mid-sized cultural institutions, and increasing visitor engagement through the use of digital technology, Bloomberg Philanthropies works to improve quality of life by strengthening the arts in cities across the globe.

How Social Media Is Engineered To Hijack Your Attention

Scientists have been at this question for several years, studying people’s activity online and revealing interesting trends as to what makes content eye-catching and more likely to go viral. Emotional arousal is one key determinant. After analyzing 7,000 articles from the New York Times, Jonah Berger and Katherine Milkman from UPenn found that one of the main factors driving readers to share a story via email was how much it stirred them up.

Ira Glass: I Have A Particular Set Of Skills, He Says In J-School Commencement Speech

“I am very aware that I make my living with a weird grab bag of skills that probably shouldn’t add up to anything. My primary skill is that I’m a good editor. That’s the main thing I do all week. From the start it was the one thing in journalism I had a natural talent for … an easy command of. I also have a bunch of showbizzy skills that go into packaging material into a program – pacing and flow and humor and emotional arcs. Stuff I learned basically in high school musicals and as a teenaged magician at children’s birthday parties.”

Time Inc. Was Once A Colossus. Now It’s Been Brought Low

The flush times went on for a while. But then, starting about a decade ago, the company began a slow decline that, in 2018, resulted in the Meredith Corporation, a Des Moines, Iowa, media company heavy on lifestyle monthlies like Better Homes and Gardens, completing its purchase of the once-grand Time Inc. in a deal that valued the company at $2.8 billion. The new owner wasted no time in prying the Time Inc. logo from the facade of its Lower Manhattan offices and announcing that it would seek buyers for Time, Fortune, Sports Illustrated and Money. The deadline for first-round bids was May 11.

At Cannes: Big Movies Do Fine, But Indie Film Market Declines

Whichever way the 2018 Cannes Film Market is taken, heartening signs of continued market traction have to be placed in a context of a longer-term attrition in the independent theatrical market affecting both many mid-sized English-language movies and arthouse titles alike. The bottom hasn’t fallen out of either market. But their theatrical space, in domestic and international, looks decidedly smaller.

A New Project Gives Access To Digital Scans Of Endangered Or Destroyed Cultural Site. What Could Be Wrong With That?

War, natural disasters and climate change are destroying some of the world’s most precious cultural sites. Google is trying to help preserve these archaeological wonders by allowing users access to 3D images of these treasures through its site. But the project is raising questions about Google’s motivations and about who should own the digital copyrights. Some critics call it a form of “digital colonialism.”