TAKING ADVANTAGE

“For far too long many non-indigenous people have exploited indigenous culture through the production of Aboriginal art and cultural products not of Aboriginal origin. Artists whose paintings sell for tens of thousands of dollars have been paid in cans of beer. Ancient taboos have been broken by companies that reproduce sacred totems on dish towels and underwear. Allegations of fakery abound.” – ABC News

SOUTH AFRICA’S HOMAGE TO WOMEN

  • Forty-four years ago, 20,000 members of the Federation of South African Women marched on the headquarters of the prime minister to demand equal gender laws. The South African government has commissioned a monument which will attempt to “avoid a sense of the “heroic” as we have come to expect of bronze and granite monoliths, but in so doing, not to cheat women of their heroism, and to take into account the polyphonic and multivalent qualities of [their] culture.” – Daily Mail & Guardian (South Africa)

PRE-FABBED OBSOLESCENCE

With buildings becoming more and more pre-fabricated, who’s got need of an architect anymore? “And yet Britain has something like 30,000 architects. What do they do? Few seem to be involved at any great depth in the design of what really matters, such as new housing, even though Britain is being smothered in a feverish rash of the red-brick, three-bedroom stuff.” – The Guardian

WALLED HISTORY

The history of Northern Ireland is painted on its walls. “People have painted murals in Northern Ireland for almost a century. For most of that time, they were almost entirely unionist. Every year on 12 July, unionists decorated their streets to celebrate the victory of the Protestant William III over the Catholic James II in 1690. When new trolley and electricity lines interrupted this annual custom, unionists began to paint “King Billy” on their gable walls instead. For the next 60 years, these portraits were repainted every summer. Then came the Troubles, which inspired republican murals, and dramatically transformed loyalist murals, too.” – New Statesman

RICHARD SERRA ON ART, MUSEUMS, AND LIFE

“I think basically I’m not interested in people following my work or making work like my work. But what does interest me is the notion that if you do a lot of work it means there’s a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that’s all art can be.” – Coagula

MORE SHAKESPEAREAN THAN SHAKESPEARE

The story behind Kelsey Grammer’s failed turn with the Bard is worthy of the most Shakespearean plot. “There were villains about to be sure, people who seemed to be wide-eyed in anticipation of yet another TV celeb trying to gain acting credibility by doing a bit of the Bard – and failing so publicly. There was palace intrigue, with Grammer himself allegedly investing in the show to keep it afloat, making it seem more of a vanity production than it already was. Then there were the ghosts – of other productions, near and far. Throw in a little envy and a lot of hubris, and you have a story for the ages, or at least the age of celebrity.” – Hartford Courant