“If this plays out right, people will be coming from all over. They’ll be looking for readings, visiting bookstores, making pilgrimages to our downtown library — they’ll know about all the things we have to offer. Once that positive reinforcement loop gets going, it becomes a self-fulfilling prophecy.”
Author: Douglas McLennan
The Shed Is NY’s Most-Anticipated New Arts Project. Why Do We Need It?
What does the Shed’s sliding roof get you that the sliding wooden panels don’t? The answer: It gets you bang for your half billion bucks. The Shed wants to be grand. The Shed wants awe. The Shed wants to look like a spaceport. Even in von Hantelmann’s taxonomy of ritual spaces, we have raced backward rather than forward—not to the theater, not to the museum, but all the way back to the reverence-inducing, hugely capitalized cathedral. A thousand essays on inclusivity won’t change that. They won’t erase the Shed’s position in a development scheme that benefits the wealthy.
Praise ABC For Booting Roseanne, But It Had A Reboot Problem Before It Had A Problem
It is not new information that Roseanne Barr makes racist, Islamophobic and misogynistic statements and is happy to peddle all manner of dangerous conspiracy theories. ABC knew this when it greenlighted the “Roseanne” reboot. ABC knew this when it quickly renewed the reboot for a second season, buoyed, no doubt, by the show’s strong ratings.
How A Top Pianist, Toppled By Disease, Became One Of The UK’s Best Teachers
This was the beginning of the end of her performing career. However, far from sinking into despondency and brooding on fate’s cruel hand, Fisher reinvented herself as a piano teacher. And, over the past four decades, she has built up a reputation as one of the best in the business, dedicating herself to the advancement of pianists, many of whom are now enjoying the sort of career for which she herself was once destined.
Kaywin Feldman: The Most Challenging Time To Be An Arts Leader
“In my 25-year career as a museum director, I have not seen a more challenging time to be an arts leader; the national and global political climates have created a situation in which our essential principles are under attack. It is not appropriate for a public museum to take positions in partisan politics. We must, however, stand up for what we believe in and defend our values.”
Marrying Dance With Animation And Movie
Robert Lepage has returned to filmmaker Norman McLaren for his latest project Frame by Frame, teaming up with the National Ballet of Canada and the National Film Board to create a multimedia dance production that marries ballet and abstract film animation in hopes of pushing the boundaries of ballet for our technological era. The ballet took four years to make and cost $1.4 million.
Will Doing Away With Some Classic College Majors Make Education Better… Or Much Worse?
“The world now changes at warp speed. Colleges move glacially. By the time they’ve assembled a new cluster of practical concentrations, an even newer cluster may be called for, and a set of job-specific skills picked up today may be obsolete less than a decade down the road. The idea of college as instantaneously responsive to employers’ evolving needs is a bit of a fantasy.
Why Are So Many Jobs So Useless? (There’s A Reason)
In an age that supremely prizes capitalist efficiency, the proliferation of pointless jobs is a puzzle. Why are employers in the public and private sector alike behaving like the bureaucracies of the old Soviet Union, shelling out wages to workers they don’t seem to need? Since bullshit jobs make no economic sense, David Graeber argues, their function must be political. A population kept busy with make-work is less likely to revolt.
Study: Loud Music In Restaurants Promotes Unhealthy Ordering
Dipayan Biswas, a marketing professor at the University of South Florida, conducted the study at a cafe in Stockholm, where various genres of music were played on a loop at 55 decibels and 70 decibels at different times, for several days. When the music was louder, researchers found 20 percent more customers ordered something that was not good for them, compared to those who dined during the lower-volume times.
Miami Theatre Says It Will End Black-Face Portrayal
The play “3 Viudas en un Crucero” (Three Widows on a Cruise), which has been showing since January, featured light-skinned actress Marta Velasco smeared with dark makeup, exaggerated red lips, thick, drawn-in eyebrows and an Afro wig. A trailer of the play posted on YouTube shows Velasco pounding her chest, with her legs wide open while saying “Bailar, tomar y gozar como tres gorilas” (to dance, drink and have fun like three gorillas).