Netflix Strategy: Hire Everyone In Hollywood

Netflix now makes more television than any network in history. It plans to spend $8 billion on content this year.  TV has gone through major transformations in the past — cable and Rupert Murdoch’s Fox toppled the hegemony of the Big Three broadcast networks in the 1980s, for instance — but this leap dwarfs all others. Netflix doesn’t want to be a streaming, supersized clone of HBO or FX or NBC. It’s trying to change the way we watch television.

Netflix Is Flooding The Zone With Content. But Are Its Shows Getting Lost In The Crowd?

Even Hollywood agents whose clients desperately want to do deals with the streamer concede overload can be an issue. “The Achilles’ heel of Netflix is that a lot of the content feels very disposable,” one veteran talent rep tells me. “Creators and stars want to feel special, and they want to know the audience is responding to their work.” Netflix content, the agent argues, too often “doesn’t feel as special as it needs to feel.”

Philip Glass: Speed Of The Music Versus Size Of The Theatre

“The first thing the dance company does when we arrive is to measure the stage. They have to reset the dance to fit that stage. So you also have to reset the time of the music: In a larger theater, you must play slower. In a smaller theater, you have to play faster. The relation of time and space in music is dynamic. I have a range of speed in mind. If the players don’t pay attention to that, it will look really funny. You can see the stage fill up with dancers because they are playing at the wrong speed.”

The Schizophrenic Divisive And Unifying Provocations Of The Tony Awards

As a cultural industry that has long been informed by, and intent on sending messages about, the dispossessed, Broadway has been at the vanguard of the movement to fend off Trump’s more isolationist policies. But it has sometimes taken different roads in getting there, as much preaching unity in the face of divisiveness as using the tools of division itself.

A Pocket History Of Americans For The Arts

“I have watched the organization, and its signature convening, grow and evolve over time—responding to the field’s changes and the external environment in which we all operate. There have been so many conventions, over so many years, that it’s hard to pull memories out of the haze where they all blend together.”

George Orwell Predicted The Difficulty Of Writing When Truth Has Been Undermined

Orwell was right. The totalitarian regime rests on lies because they are lies. The subject of the totalitarian regime must accept them not as truth—must not, in fact, believe them—but accept them both as lies and as the only available reality. She must believe nothing. Just as Orwell predicted, over time the totalitarian regime destroys the very concept, the very possibility of truth. Hannah Arendt identified this as one of the effects of totalitarian propaganda: it makes everything conceivable because “nothing is true.”

The Biggest Potential Boost To The US Economy? how About Forgiving Student Debt?

In reality, this country would have been better off forgiving the $1.48 trillion in student loan debt held by more than 44 million Americans, rather than going through with the $1.5 trillion tax cut for corporations, where the benefits are concentrated at the very top. According to Student Loan Hero’s website, the average student who graduated college with the class of 2017 has close to $40,000 in student-loan debt, up 6 percent from the year before. There’s tremendous evidence this collective debt is holding back not just one generation, but the entire nation.