GROWING THE GETTY

When the Getty opened its new billion-dollar home three years ago in Los Angeles, there were those who thought a period of more modest art acquisitions might follow. But though some Getty programs have quietly gone away, the museum is continuing to collect aggressively, says the museum’s new director. – The Art Newspaper

DISSENTING VIEW

“The Tate Modern, which opened in May and is a branch of the older Tate Gallery up the river, is surely the most hyped building of the year. Modern art doesn’t thrive in demure surroundings, and the notion of placing it in the gritty venue of an abandoned power station seemed appropriate. Unfortunately, the architects of the renovation, Herzog & de Meuron of Switzerland, a respected firm, have succeeded in bleeding away most of what should have been a thrilling confrontation of art with architecture.” – Boston Globe

PAVAROTTI WITH YOUR PETROL?

In an odd marketing move, Universal (which controls the Decca, Deutsche Grammophon, and Philips labels) will release classical CDs in England and Germany at rock-bottom prices. “Those neon-lit shops where you exchange a week’s wages for 10 litres of unleaded and a bunch of stale flowers are going to be swamped with classical CDs at an irresistible price.” – The Telegraph (UK)