DONOR X

An anonymous French art collector has donated an astonishing collection of more than 100 masterworks – by Cézanne, Manet, Picasso, and others – to France. Although the mystery donor insisted on remaining nameless, rumors abound that it’s actually a well-known and wildly generous Parisian medical researcher. “I can think of no comparable donation in the recent history of this country’s museums.” – BBC

MOMA’S NEW DIGS

New York’s Museum of Modern Art will have to vacate its home for a few years while its massive renovation is ongoing. So it has unveiled a site in Queens for its temporary home during the interim. “How long the museum will display its artworks at the provisional site, a former Swingline stapler factory, depends on how long it takes to finish its Midtown Manhattan renovation, designed by the Japanese architect Yoshio Taniguchi. That project, which won unanimous approval yesterday from the City Planning Commission, is scheduled to be completed in late 2004 or early 2005.” – New York Times

HOW DO WE LOOK AT ART?

A new show at London’s National Gallery is measuring the eye movements of viewers to see how we see. “The results so far are not stunning. When people look at Albert Cuyp’s The Maas at Dordrecht in a Storm (1645-50), a painting of sail boats being thrown about on a tempestuous sea off the Dutch shore, they look first and longest at the boats. When they contemplate Paul Delaroche’s sentimental 19th-century history painting The Execution of Lady Jane Grey (1833), their eyes tend to be drawn to the central white-clad figure of the kneeling woman about to have her head cut off.” – The Guardian

RETURN TO MAKER

For years the Canadian government’s Art Bank bought artwork so it could be rented out, collecting some 18,000 works of art. Now the bank wants to clear out work that is rarely rented. Artists will be offered a chance to buy back their work; any remaining unwanted art will be deaccessioned. Critics “say the Art Bank’s ‘revitalization’ is going to hurt artists and the art market by transforming a government agency into a pseudo-corporation more intent on competing with the private sector than in advancing Canadian art.” – Ottawa Citizen

FIRST GLIMMERS OF AMERICA

The Library of Congress is rushing to raise $14 million to try and buy a map made in 1507 that “represents the very first symbolization of America in any kind of medium. It also represents the first document that truly understands, at least from a European perspective, the way the world is constructed.” – Washington Post

A LONG WAY TO MAINSTREAM

The e-book publishing community thought it was finally going to receive some overdue recognition at the first annual International eBooks Awards ceremony last week in Frankfurt. That is, until the list of finalists was announced. “Almost all of the books on the shortlist were by acclaimed print authors from big publishing houses The controversy highlights some pressing issues for e-publishing – Will e-books offer a way for writers who’ve been snubbed by the big houses to find success marketing their books directly to readers? Or will e-publishing simply present the same books and authors currently found in bookstores, only in a different, less tangible form?” – Salon

WRITERS – WHO OWNS YOUR WORK?

“The press would have you believe that the worst copyright infringement occurring on the Internet is by lone hackers sitting at their computers. However, corporate owned and controlled newspapers and television news organizations are hardly disinterested parties in this story. It may turn out that individual writers (which, potentially, could be anybody) have more to fear from people in suits trailing phalanxes of lawyers.” – *spark-online

A LITTLE SHOW OF AFFECTION NEVER HURTS

The Pittsburgh Symphony is alarmed that its music director Mariss Jansons has been mentioned often as a possible candidate to run the New York Philharmonic. So the orchestra has contacted orchestra supporters and asked them to write to Jansons and ask him to remain. “We believe the Pittsburgh community has to show Mariss its affection to balance the only reason he’d go to New York, which is prestige. Artistically, New York is no better than the PSO.” – Pittsburgh Post-Gazette