Author: Douglas McLennan

For centuries the British Museum has been the very symbol of British rectitude and order. But a recent scandal over stone used for a new portico, and a new exhibition about ancient Rome that features film clips from the movie “Gladiator” has critics wonder whether the museum has sold its soul. – The Independent (UK)

What happened to this year’s Turner Prize exhibition? We’re used to controversy, shock, bad art. “This year’s show is tasteful, steady and, in two cases, highly accomplished. There’s nothing willfully bad, flash or obscure here: the services of the Tate’s head of interpretation will not be required. Take your grandmother, take your children – the only shock is that there isn’t a single video.” – The Observer (UK)

Who says architects have to be dull? The Stirling Prize, awarded for “the architects of the European building which has made the greatest contribution to British architecture” in the past year, has “taken a good look round and decided that the best way to raise its profile, part of its self-conscious rebranding, is to make its rather worthy annual awards glamorous.” – The Telegraph (UK)

“Britain has made a mistake. It has decided that Mark Wallinger should represent us at the next Venice Biennale. The Biennale is the most prestigious art event in the world. Quite how hilarious a mistake it is to send Wallinger is made clear by the catch-up survey of his career so far that has been organised by the Liverpool Tate. Actually, it is one of very few things that are made clear by it.” – The Sunday Times (UK)

Whether it’s Jimi Hendrix’s guitar or Leonardo’s snuff box, we’ve always had a fascination for relics. “Russell Martin’s new book, “Beethoven’s Hair,” is a wonderful contemplation of how relics can become bridges between people separated by time, culture and death. “Beethoven’s Hair” also gives us a long, inspiring look at passion in several forms.” – The Plain Dealer (Cleveland)