Beethoven Was A Revolutionary. Aren’t We In Revolutionary Times?

There is something incongruous about the attendance of the lavishly dressed, moneyed elite at public concerts of Beethoven symphonies or concertos, given his music’s expression of such a revolutionary, democratic, humanitarian spirit. Such are the ironies that result when the historical specificity of art is denied or forgotten and all that is left is a vague feeling of aesthetic enjoyment. Still, even the pure aesthetic enjoyment is significant. – Dissent

Big Increase In Online Auction Sales During COVID

In 2019, global online art and collectibles sales topped $4.82 billion and are expected to soar in 2020—pacesetter auction houses Christie’s, Sotheby’s and Phillips saw increases in online sales from Jan. 1 to June 28 of 436 percent over the previous year. The average price for digital sales grew by 207 percent to $23,612 as auction houses start to test collector appetite for buying fine art online, according to Barron’s, which has tracked the trend since the pandemic started. – The Daily Beast

La Boheme At The Drive-In

“We listened on car radios. Mine conked out halfway through. Someone else got a flat battery. Hearing through the window was fine. I saw the admirable second cast led by Nardus Williams and David Junghoon Kim as sympathetic and touching lovers, conducted by Martin Fitzpatrick. The event was well organised if, at £103 per car (plus congestion charge), costly. This was a brave experiment – a starting point, if not yet an arrival. The next venture will be better.” – The Guardian

A Sophisticated Livestream Of Dance

Such viewing from afar, once rare in concert dance, has become ordinary. But where most such performances these days are free and prerecorded, this one was ticketed and livestreamed. If you missed the show, you couldn’t catch it later, so it had immediacy. But, unlike most livestreams, this was not a static recording or a glitchy presentation over Zoom. Watching it felt more like watching a movie, immersive and absorbing, yet easily the most technically sophisticated live dance production I’ve seen since theaters closed. – The New York Times