Amazon Has Made Self-Publishing Lucrative For Authors

For decades, self-publishing was derided as an embarrassing sign that an author couldn’t cut it in the “real” publishing industry—“the literary world’s version of masturbation,” as Salon once put it. And Amazon, the world’s biggest e-commerce site, with its bookstore-beating prices, was painted as an enemy to authors. But now its self-publishing service, Kindle Direct Publishing (KDP), has made it easy for people to upload their books, send them out into the universe, and make money doing so. Its store has created a place for readers to go and easily find inexpensive self-published books. The site that got its start by radically changing where books are sold is now reshaping how books are published and read.

It’s Important To Understand What Book Prizes Are (And Aren’t)

“Prizes, at least the biggest ones, help sell books. Many of them were created for just that purpose and the prize-givers are not shy about saying so, and why should they be? What’s the point of publishing great books if you can’t find an audience for them? Authors and editors all hope that a nomination or a prize will draw attention to work they’ve already committed enormous amounts of time and energy to bringing into print. Still, the contrast between the language of literary merit and that of cool business calculation can be jarring.”

The Benefactor Who Gave Away Millions Anonymously To Support Artists Comes Forward

Her own anonymous grant program is called Anonymous Was a Woman, in reference to a line in Virginia Woolf’s “A Room of One’s Own,” to pay tribute to female artists in history who signed their paintings “Anonymous” so that their work would be taken seriously. The donor behind the prize wanted to remain unknown. But now she is stepping out from behind the curtain: Susan Unterberg, herself a once underrecognized female artist over 40.

Problematic Classics Make Us Uncomfortable, But They Should…

These shows are important – but we can’t be uncritical of them. When an all-new Broadway version of West Side Story was recently announced that Ivo van Hove will direct with new choreography by Anne Teresa De Keersmaeker, its lyricist Stephen Sondheim said: “What keeps theatre alive over time is reinterpretation, and when that reinterpretation is as invigorating as [Ivo van Hove’s] productions of A View from the Bridge and The Crucible, it makes for something to look forward to with excitement.”

The Myths Of Meritocracy

“The whole process of constructing life narratives is biased in ways that almost guarantee that people won’t recognize the role of chance events adequately. We remember the moments or months of perseverance that contributed to our triumphs, but forget, or even fail to notice, when Lady Fortune smiles on us: a great teacher, a chance encounter, or—in Breaking Bad actor Bryan Cranston’s case—having other A-list actors not take up the role of Walter White.

Donald Trump, The Opera?

Donald Trump is the undisputed hero of this comic opera in three acts. “Comic” does not here mean superficial or laugh-out-loud hilarious: as Rossini so superbly demonstrated in “The Barber of Seville”, comic opera combines a sophisticated analysis of human interactions with a light touch. Foreign policy offers plenty of opportunities to study human nature; at summits, each participant brings not only his or her personality but a country’s sensitivities, strengths and weaknesses to bear. Like Bartolo—the central character in “The Barber of Seville”, a buffoon-like doctor of medicine with ambitions that supersede his abilities—Mr Trump is sung by a bass.

How Blockchain Is Subverting Censorship In China

The anonymous activists sent themselves zero Ether on the platform and embedded the text of Yue’s open letter in the transaction’s metadata. Transactions on blockchain are irreversible, so the information cannot be altered. Furthermore, transactions generate distributed copies of themselves within the network, which ensured that Yue’s letter would be permanently documented in the public domain and accessible to any user who looked the transaction up.

Why The World Has Problems With Women Musicians?

Any new music or new message has problems with reception. Bach, Mozart, and Beethoven all had problems with reception. Even Jesus had problems with reception in his own hometown. Women in particular, though, have problems with reception in music. Lucy Green, music education philosopher and author of Music, Gender, Education, posits that there is a spectrum for acceptance of women in music. A woman singer is accepted because using her body to make music is an extension of her femininity. Put an instrument in her hands or in front of her face, and it interrupts the impression of a woman as either “sexually available or maternally occupied.”