We’re At The Point The Machines Are Merging With Us (Cool!)

This is a moment to be savored, even as we sound new notes of care and caution about the speed, nature and range of these changes. Part of this process involves getting used to the alien nature and pervasive reach of the many new subintelligences that now surround us. These are the algorithms that talk with us, that watch us, that trade for us, that select dates for us, that suggest what we might buy, sell, or wear. They are the algorithms that pool information about us, and that will slowly permeate the full range of human-built environments, from bridges to roads to cities and more minor intelligent devices.

Viral Dance Clips Are Great, But They’re Often Out Of Context

AMA has been shared by various Facebook pages worldwide, and often with vague titles like “Dancing Underwater !!” and “Wooowww Amazing Dance.” Perhaps the most shared iteration was posted by Feel Desain, an online magazine, which, according to its page is “updated daily with the latest and coolest news.” That particular post has garnered more than 19 million views and upwards of 372,000 shares. As if only the “coolest” parts matter, Feel Desain’s version is truncated, cutting off the first two minutes before Gautier is fully immersed in the pool.

Study: Arts Organizations Have Opportunities To Engage Outside Urban Centers

The authors say that “there is cultural activity taking place in non-city centre areas that are perceived to be barren, undesirable places to live and not common destinations to engage in cultural activity.” They believe the research demonstrates that “this activity has an audience that is interested and willing to engage, and that the venues not only generate audiences within their local communities but also contribute to the movement of audiences across and into the city.”

Study: Young People Don’t Participate In Arts Because Of Cost, Lack Of Confidence

A survey by ART31, a network of arts groups for young people facilitated by the University of Kent, found anxiety to be the biggest barrier of all among young people aged 10 and 25. Its report says: “It seems likely that this is related to joining a new group or attending a new venue, but it may also be about fear of failure.”

The Benefits Of Being Sad (Sometimes)

Recent research suggests that experiencing not-so-happy feelings actually promotes psychological wellbeing. A study published in the journal Emotion in 2016 took 365 German participants aged 14 to 88… The team found that the link between negative mental states and poor emotional and physical health was weaker in individuals who considered negative moods as useful. Indeed, negative moods correlated with low life satisfaction only in people who did not perceive adverse feelings as helpful or pleasant.

Who Owns Franz Kafka? (It’s Complicated, Of Course)

Before he died, Kafka had written a letter to Max Brod, who found it when he went to clear out Kafka’s desk. In this “last will,” Kafka instructed Brod to burn all his manuscripts, including his letters and diaries. But Brod, who admired Kafka to the point of idolatry, refused to carry out his friend’s wishes. Instead, he devoted the rest of his life to editing, publishing, and promoting Kafka’s work—even writing a novel about him, in which Kafka was thinly disguised as a character named Richard Garta. In this way, Brod ensured not only Kafka’s immortality, but his own. Though Brod himself was a successful and prolific writer, today he is remembered almost exclusively for his role in Kafka’s story.

Netflix Is Creating Content At A Furious Pace. But It Still Needs To Offer Other Content (This Could Be A Problem)

The aggressive move toward original programming is having a palpable effect on content available to subscribers and reflects Netflix’s ambition to dominate Hollywood. The Los Gatos, Calif., company has already upended traditional distribution models and is now lessening its reliance on content from competing studios to fill its direct-to-consumer pipeline. But this change could also pose challenges for Netflix as it licenses fewer of the popular titles that have played a crucial role in retaining subscribers.

Social Media Are Platforms Not Publications – And Standards Of Discourse Are Starting To Assert Themselves

Jeff Jarvis: The banning of Infowars from most major platforms is a sign of that process beginning to work. Civilization is winning, at last. Alex Jones went too far and the public, empowered by the same tools of social media he exploited, told the platforms that his behavior is unacceptable in a civilized society. The platforms—like media and like regulators—might prefer to start with a set of rules that can be enforced by government, by social-media managers, or by algorithms. But that’s not how we negotiate our standards.