Universities everywhere have hosted eccentric cults and the gods of reason have somehow survived them. What was new in Critical Theory – at least in its latter-day incarnation – was its adoption of militant direct action to enforce its creed. – Times Literary Supplement
Author: Douglas McLennan
How Big Tech Corrupted The Idea Of Creative Destruction
There is an odd tension in the concept of disruption: it suggests a thorough disrespect towards whatever existed previously, but in truth it often seeks to simply rearrange whatever exists. Disruption is possessed of a deep fealty to whatever is already given. It seeks to make it more efficient, more exciting, more something, but it never ever wants to dispense altogether with what’s out there. This is why its gestures are always radical, but its effects never really upset the apple cart. – The Guardian
UK Government Warns Cultural Institutions Not To Remove Statues
In a letter sent September 22 to several public bodies, the secretary of state for digital, culture, media, and sport, Oliver Dowden, set out the government’s position on contested heritage: “The Government does not support the removal of statues or other similar objects.” – Artnet
Peter Marks: What I Learned Watching An Experiment Unfold
“Rex Daugherty — whose work I’ve reviewed several times — and I were both interested in how artists and critics could learn more about each other’s functions, could demystify our roles in some small way. Social media has brought many reviewers into far closer proximity with theater artists than ever before. It occurred to us that exploring how the mistrust that often develops between critics and artists might be mitigated was worthwhile, especially when live theater has been sidelined and many theater events are occurring in the digital space. I ended up learning far more than I contributed.” – Washington Post
Why This Social Practice Arts Organization Decided To Hibernate
Deborah Fisher, A Blade of Grass’s executive director, had to make an unenviable decision. She could retrofit the organization’s model to a pandemic-shaped world, continuing to employ her full-time staff, and ask an increasingly depleted pool of cultural funders for more and more money. Or she could make changes—big, fundamental, tough changes that would necessitate the sacrifice of people’s jobs for the prospect of a brighter future. – Artnet
Think Of A Debate As A Public Space. This Is What Happens When You Litter It
The beach or the park succeeds based on the willingness of everyone who enters to uphold commonly accepted expectations. Maintenance of the space becomes reflexive, a civic habit that is self-reinforcing: When you enter a beautiful space, you are inclined to keep it beautiful, no public shaming required. Unfortunately, the inverse is also true. If it isn’t a beautiful space, then most people aren’t inclined to keep it beautiful. And when these conditions begin to prevail, public spaces fail, often precipitously. – Washington Post
Washington State Sues Brown Paper Tickets
The ticketseller, which took on giant Ticketmaster, has been a favorite of thousands of arts organizations for selling tickets. But since March, the company has failed to pay event organizers for the tickets they sold. – Seattle Times
How Did Humans Fumble Their Stewardship Of The Planet?
In the latter half of the 19th century, when small-scale artisanal methods were giving way to larger-scale industrialization in many areas of resource extraction and use, Homo sapiens was not, in fact, just another species, an organism like any other. To the contrary, H. sapiens was just embarking on a period of more sudden environmental transformation than any single species had ever achieved. Homo sapiens was, in fact, quite special. – Nautilus
100 Prominent Artists Sign Letter Protesting Postponement Of Guston Show
An A-list cadre of contemporary artists and intellectuals have similarly decried the museums’ decision in an open letter that asks them to reinstate the exhibition as planned. – Artnet
Frick Will Show Its Collection In The Old Whitney Museum
The Frick’s two-year tenure in the Breuer — the 1966 Brutalist building owned by the Whitney Museum of American Art and recently occupied by the Metropolitan Museum of Art — will allow the Frick to continue exhibitions while its 1914 Gilded Age mansion on Fifth Avenue undergoes renovation. – The New York Times
