How Thieves Traveled America Stealing Valuable Rare Books

Robert Kindred knew these books and journals were nearly impossible to find for sale, and prohibitively expensive even when they could be found. So for the sake of his business he turned to the open shelves of academic libraries. The irony is that the easy access granted him by libraries that summer was heir to the spirit of scientific inquiry in which these magnificent prints were created in the first place.

Dance Is Thriving In The Catskills. But Is It Too Much?

The increase in activity is exciting, but as more and more dance residencies and presenters crop up, some of the people in charge have begun to express concerns about overcrowding even as they float dreams of synergy. Will the competition for financial support and audiences be zero sum? Or might the influx be beneficial to all, turning the region into a cultural destination, like the Berkshires?

Who Might Buy The Troubled Barnes & Noble?

It’s unlikely to be Amazon, which is forging its own path and has thus far seemed only marginally interested in physical book retail. It’s not clear that Books-a-Million and Half-Price Books, the second- and third-largest general trade book retailers, have the resources, let alone the ambition. One possible candidate, according to multiple sources in book publishing and retail, is the Canadian book seller Indigo, which has defied the bleak trends in publishing in recent years, posting profits and selling literary fiction by the crateload.

In Defense Of Connoisseurship

This, then, is a familiar distinction, the contrast between scrutiny of art’s social background and the connoisseur’s concern with artworks’ visual qualities. In principle, perhaps these two approaches are complimentary. But in practice, they seem to come into conflict.

What Is The Responsibility Of Theatre Critics In Social Justice?

It behooves arts journalists to integrate into the arts as conscientious equals and not “objective” observers. This means journalists must establish permanent vested interest in the social aspects of the arts. Arts journalists must stand with our fellow artists against violence. Remaining outside of the struggle toward safer spaces for victims and justice for the entire arts community sends the message that journalists stand with the abusers. We must take a stand against abuse publically, and also personally.